Theatre/Performance Historiography
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How do the ethical implications of writing theatrical histories complicate the historiographical imperative in our current sociopolitical context? This volume investigates a historiography whose function is to be a mode of thinking and exposes the inner contradictions in social and ideological organizations of historical subjects.

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Produktbeschreibung
How do the ethical implications of writing theatrical histories complicate the historiographical imperative in our current sociopolitical context? This volume investigates a historiography whose function is to be a mode of thinking and exposes the inner contradictions in social and ideological organizations of historical subjects.
Autorenporträt
Kelly Aliano, Graduate School, CUNY, USA Patricia Ybarra, Brown University, USA Yael Zarhy-Levo, Tel Aviv University, Israel Angenette Spalink, Bowling Green State University, USA Scott Magelssen, University of Washington, USA Patricia Badir, University of British Columbia, Canada Pannill Camp, Washington University in St. Louis, USA Kaitlin McNally-Murphy, New York University, USA Will Daddario, University of Minnesota, USA Jan Lazardzig, University of Chicago, USA Jon D. Rossini, University of California, Davis, USA Gwyneth Shanks, University of California, Los Angeles, USA