The first substantial book on the French Neo-Romantics, a cosmopolitan group working in 1920s Paris who turned against modernist abstraction in favour of a new form of figurative painting.
The first substantial book on the French Neo-Romantics, a cosmopolitan group working in 1920s Paris who turned against modernist abstraction in favour of a new form of figurative painting.
Patrick Mauriès is a writer and publisher of many notable titles on fashion and design, including Jewelry by Chanel (2012), A Cabinet of Rarities (2012), Maison Lesage (2020), The World According to Karl (2013) and Fashion Quotes: Stylish Wit and Catwalk Wisdom (2016), all published by Thames & Hudson.
Inhaltsangabe
Author's note Prologue
First act: 1926
1. Exiles 2. Leonid's travels
Second act: Against the tide
3. Gertrude Stein's prevarications 4. Ten portraits 5. The 'Bérard era' 6. Tchelitchew: weightiness and grace 7. Transparent bodies 8. Eugene Berman: dreaming of architecture 9. A Paper Ball 10. Medusa
Third act: Figures of style
11. Two minor arcana 12. The strange case of Waldemar-George 13. The invention of Neo-Romanticism 14. Neo-Humanism is a Neo-Mannerism 15. Fantasy landscapes 16. The theory of the saltimbanque
Fourth act: Convergence lines
17. The lightness of being 18. The English scene 19. Kit Wood, the outsider 20. The art of nuance
3. Gertrude Stein's prevarications 4. Ten portraits 5. The 'Bérard era' 6. Tchelitchew: weightiness and grace 7. Transparent bodies 8. Eugene Berman: dreaming of architecture 9. A Paper Ball 10. Medusa
Third act: Figures of style
11. Two minor arcana 12. The strange case of Waldemar-George 13. The invention of Neo-Romanticism 14. Neo-Humanism is a Neo-Mannerism 15. Fantasy landscapes 16. The theory of the saltimbanque
Fourth act: Convergence lines
17. The lightness of being 18. The English scene 19. Kit Wood, the outsider 20. The art of nuance
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