Thelonious Monk Quartet with John Coltrane at Carnegie Hall is an historical, cultural, and analytical study of the album by the same name. Recorded in 1957, but lost until 2005, it is a particularly interesting lens through which to view jazz both as a historical tradition and as a contemporary cultural form.
Thelonious Monk Quartet with John Coltrane at Carnegie Hall is an historical, cultural, and analytical study of the album by the same name. Recorded in 1957, but lost until 2005, it is a particularly interesting lens through which to view jazz both as a historical tradition and as a contemporary cultural form.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gabriel Solis is Associate Professor of music, African American studies, and anthropology at the University of Illinois. A scholar of jazz, American popular music, and the transnational politics of race, his work has appeared in leading journals of ethnomusicology, music history, and sociology. He is the author of Monk's Music: Thelonious Monk and Jazz History in the Making (California, 2008), co-editor with Bruno Nettl of Musical Improvisation: Art, Education, and Society (Illinois, 2009), and author of a forthcoming book on singer, songwriter, and performing artist, Tom Waits titled Sounding America: Gender, Genre, Memory, and the Music of Tom Waits (California).
Inhaltsangabe
Introduction Chapter 1: Monk With Coltrane Chapter 2: The Morningside Community Center Benefit and the Jazz Concert as an Institution to 1957 Chapter 3: "Monk's Mood" and "Crepuscule with Nellie" Chapter 4: "Evidence" and "Nutty" Chapter 5: "Bye-Ya" and "Sweet and Lovely" Chapter 6: "Blue Monk" and "Epistrophy" Chapter 7: The Recording in Its Time References
Introduction Chapter 1: Monk With Coltrane Chapter 2: The Morningside Community Center Benefit and the Jazz Concert as an Institution to 1957 Chapter 3: "Monk's Mood" and "Crepuscule with Nellie" Chapter 4: "Evidence" and "Nutty" Chapter 5: "Bye-Ya" and "Sweet and Lovely" Chapter 6: "Blue Monk" and "Epistrophy" Chapter 7: The Recording in Its Time References
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