Stephen Davies

Themes in the Philosophy of Music

• Gebundenes Buch

Produktbeschreibung

Is training in musical technicalities a prerequisite for a full appreciation of musical works and performances? Is an awareness of the socio-historical setting in which a work is created relevant to its appreciation? How does the value of individual musical works go beyond the worth of an interest in music in general? Stimulating and insightful both as individual discussions and as a coherent argument, these essays will be greatly enjoyed by philosophers, aestheticians, art theorists, and musicologists.

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Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition.

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Produktdetails

• Verlag: Hurst & Co.
• Seitenzahl: 292
• Erscheinungstermin: 13. März 2003
• Englisch
• Abmessung: 244mm x 164mm x 24mm
• Gewicht: 604g
• ISBN-13: 9780199241576
• ISBN-10: 0199241570
• Artikelnr.: 21145692

Autorenporträt

Stephen Davies teaches philosophy at the University of Auckland. His primary research interest is in the philosophy of art, especially music.

Inhaltsangabe

Introduction
ONTOLOGY
1: John Cage's 4'33. Is it Music?
2: Ontologies of Musical Works
3: Transcription, Authenticity, and Performance
4: The Ontology of Musical Works and the Authenticity of their Performances
PERFORMANCE
5: Authenticity in Musical Performance
6: So, You Want to Sing with the Beatles? Too Late!
7: What is the Sound of One Piano Plummeting?
EXPRESSION
8: The Expression of Emotion in Music
9: Is Music a Language of the Emotions?
10: Contra the Hypothetical Persona in Music
11: Philosophical Perspectives on Music's Expressiveness
APPRECIATION
12: The Evaluation of Music
13: Musical Understandings and Musical Kinds
14: Attributing Significance to Unobvious Musical Relationships
15: The Multiple Interpretability of Musical Works