In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Assaf Shelleg is Assistant Professor of Musicology at the Hebrew University of Jerusalem. His award-winning first book, Jewish Contiguities and the Soundtrack of Israeli History (OUP, 2014) examines the emergence of modern Jewish art music in Central and Western Europe in the early twentieth century and its translocation to Palestine/Israel from the 1930s through the 1970s. It was translated into German in 2017 with Mohr Siebeck.
Inhaltsangabe
* Acknowledgments * Abbreviations * List of Music Examples * Introduction: Stains? * Chapter 1: Non-Biblical Tonalities: Biblocentrism in Modern Hebrew Culture and Its Operatic Undoing * Chapter 2: Horizontal Realizations: The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s * Chapter 3: Broken Hebrewist Vessels * Chapter 4: Compositional Solutions (In the Double Sense of the Word) * Notes * Index
* Acknowledgments * Abbreviations * List of Music Examples * Introduction: Stains? * Chapter 1: Non-Biblical Tonalities: Biblocentrism in Modern Hebrew Culture and Its Operatic Undoing * Chapter 2: Horizontal Realizations: The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s * Chapter 3: Broken Hebrewist Vessels * Chapter 4: Compositional Solutions (In the Double Sense of the Word) * Notes * Index
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