This interfaith collection of essays on theology in diverse genres of protest music examines Habakkuk, Brazilian eschatology, Black liberation, esoteric Islam in rap, heavy metal as anti-theology, Howard Thurman's relevance to jazz, Santería drumming, Jay-Z, Funkadelic, Marvin Gaye, Sweet Honey in the Rock, and the social justice chorale movement.
This interfaith collection of essays on theology in diverse genres of protest music examines Habakkuk, Brazilian eschatology, Black liberation, esoteric Islam in rap, heavy metal as anti-theology, Howard Thurman's relevance to jazz, Santería drumming, Jay-Z, Funkadelic, Marvin Gaye, Sweet Honey in the Rock, and the social justice chorale movement.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Heidi M. Altman is an associate professor in the department of Sociology and Anthropology at Georgia Southern University. Jonathan H. Harwell is associate director of collection and resource services at the Ina Dillard Russell Library at Georgia College and State University.
Inhaltsangabe
Introduction Heidi M. Altman and Jonathan H. Harwell 1.How Long? Habakkuk the Prophet as Proto-Protest Singer Andrew Zack Lewis 2.Already and Not Yet: Eschatology in Brazilian Protest Songs (1960s-1990s) Joêzer de Souza Mendonça and Allan Macedo de Novaes 3.From "We Shall Overcome" to "We Gon' Be Alright:" How Social Movement Styles Influence Black Liberation Protest Music Shaonta' E. Allen 4.A Continuing Call from the Voice in the Wilderness: Jay-Z's "Spiritual" Rev. Santarvis Brown and Brent Swanson 5.From Ghetto to Gods, from Protest to Priest: The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiental Traditions in Islamic Theology Martin Abdel Matin Gansinger 6.Wholeness and Hoeness: The Protest for Black Women's Sexual Liberation Ristina Gooden 7."To Rise Beyond Jesus": Heavy Metal as Anti-Theological Protest Jackson T. Reinhardt 8.Howard Thurman and the Meaning of Jazz Daryl Russell Grigsby 9.Conjuring in the Concert Hall: Pedrito Martinez's Batá Drumming in Wynton Marsalis' Ochas Concert Hannah Marie Junco 10.Free Your Mind: Funkadelic and the Nitty-Gritty Hermeneutic Kyle E. Brooks 11."Mother, Mother...": Contemplating Wounds with Marvin Gaye's What's Going On, Fifty Years Later Carrie Rehak 12.Singing the Stories of Our Lives: Protest and Praise Catherine Roma Epilogue Catherine Roma with Ysaye Maria Barnwell
Introduction Heidi M. Altman and Jonathan H. Harwell 1.How Long? Habakkuk the Prophet as Proto-Protest Singer Andrew Zack Lewis 2.Already and Not Yet: Eschatology in Brazilian Protest Songs (1960s-1990s) Joêzer de Souza Mendonça and Allan Macedo de Novaes 3.From "We Shall Overcome" to "We Gon' Be Alright:" How Social Movement Styles Influence Black Liberation Protest Music Shaonta' E. Allen 4.A Continuing Call from the Voice in the Wilderness: Jay-Z's "Spiritual" Rev. Santarvis Brown and Brent Swanson 5.From Ghetto to Gods, from Protest to Priest: The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiental Traditions in Islamic Theology Martin Abdel Matin Gansinger 6.Wholeness and Hoeness: The Protest for Black Women's Sexual Liberation Ristina Gooden 7."To Rise Beyond Jesus": Heavy Metal as Anti-Theological Protest Jackson T. Reinhardt 8.Howard Thurman and the Meaning of Jazz Daryl Russell Grigsby 9.Conjuring in the Concert Hall: Pedrito Martinez's Batá Drumming in Wynton Marsalis' Ochas Concert Hannah Marie Junco 10.Free Your Mind: Funkadelic and the Nitty-Gritty Hermeneutic Kyle E. Brooks 11."Mother, Mother...": Contemplating Wounds with Marvin Gaye's What's Going On, Fifty Years Later Carrie Rehak 12.Singing the Stories of Our Lives: Protest and Praise Catherine Roma Epilogue Catherine Roma with Ysaye Maria Barnwell
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