The book is a case study of how beauty, desire, and bodily experience converge in the work of Jonathan Edwards, using the "kinesthetic imagination" to escape the false dichotomies of modernity.
The book is a case study of how beauty, desire, and bodily experience converge in the work of Jonathan Edwards, using the "kinesthetic imagination" to escape the false dichotomies of modernity.
Kathryn Reklis Reklis is Assistant Professor of Modern Protestant Theology at Fordham University in New York City. She is also a Research Fellow for the New Media Project at the Christian Theological Seminary, and Co-Director of the Institute for Art, Religion and Social Justice, which she co-founded in 2009 with artist A.A. Bronson. She lives in Astoria, Queens with her husband and young son.
Inhaltsangabe
Table of Contents Acknowledgements Abbreviations Introduction: Theology and the Kinesthetic Imagination 1. Location, Location, Location 2. Creating the Repertoire 3. Scenarios of Universality Epilogue Notes Bibliography Index
Table of Contents Acknowledgements Abbreviations Introduction: Theology and the Kinesthetic Imagination 1. Location, Location, Location 2. Creating the Repertoire 3. Scenarios of Universality Epilogue Notes Bibliography Index
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