Theology of George MacDonald - de Jong, John R.
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George MacDonald (1824¿1905) was writing at a time of Evangelical unease. In a society ravaged by Asiatic cholera, numbed by levels of infant mortality, and fearful of revolution and the toxicity of industry (to name but a few of the many challenges), the ¿gospel¿ proclaiming eternal damnation for unbelievers was hardly good news; rather, Christianity was increasingly viewed as the source of bad news and a tool of state oppression. MacDonald agreed: in his view, the church had become a vampire, sucking the blood of her children instead of offering them Eucharistic life. In contrast, like…mehr

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Produktbeschreibung
George MacDonald (1824¿1905) was writing at a time of Evangelical unease. In a society ravaged by Asiatic cholera, numbed by levels of infant mortality, and fearful of revolution and the toxicity of industry (to name but a few of the many challenges), the ¿gospel¿ proclaiming eternal damnation for unbelievers was hardly good news; rather, Christianity was increasingly viewed as the source of bad news and a tool of state oppression. MacDonald agreed: in his view, the church had become a vampire, sucking the blood of her children instead of offering them Eucharistic life. In contrast, like Christ, MacDonald offers us a child. Although at first sight a familiar Romantic incarnation, in MacDonald¿s theology ¿the child¿ becomes an unlikely icon challenging the vampire¿s kingdom and confronting the foundations of much of Western theology. John R. de Jong¿s meticulously researched study of MacDonald¿s work ¿ especially his ¿realist¿ and fantasy novels ¿ in its Victorian context is of more than historical interest. In light of the growth of fundamentalist expressions of Christianity, we are encouraged to consider embracing MacDonald¿s radical solution to religious vampirism: becoming children.
Autorenporträt
After a degree in physics and a career in audio engineering, John de Jong studied philosophy and religious studies at the Open University before gaining a PhD in theology and literature from King¿s College London. Also a musician and lyricist, his work explores the relationship between theology, sociology, and the arts.