A fascinating read combining film and Asian studies, Theorizing Colonial Cinema reveals new contexts within film theory, history, and ideologies as it centers the question of the colonial perspective and emphasizes how the present is constantly entangled with the colonial past.
A fascinating read combining film and Asian studies, Theorizing Colonial Cinema reveals new contexts within film theory, history, and ideologies as it centers the question of the colonial perspective and emphasizes how the present is constantly entangled with the colonial past.
edited by Nayoung Aimee Kwon, Takushi Odagiri, Moonim Baek, with contributions by Nadine Chan, Aaron Gerow, Jane Marie Gaines, Zhen Zhang, Thomas A. C. Barker, Nikki J. Y. Lee, José B. Capino, Yiman Wang
Inhaltsangabe
Acknowledgments On Romanization, Naming and Translation Introduction, by Nayoung Aimee Kwon and Takushi Odagiri Part I: "Time and Racialized Other: Colonial Modernity and Early Cinema" 1. Time, Race, and the Asynchronous in the Colonial Documentaries of Malaya, by Nadine Chan 2. Facing Malcontent Colonial Korean Comrades: A Typology of Colonial Cinema in Asia's Socialist Alliances, by Moonim Baek 3. Colonial-Era Film Theory, Spectatorship, and the Problem of Internalization, by Aaron Gerow 4. Chinese Cinema's Other: Wrangling over "China-humiliating" Films (ruHua pian), by Yiman Wang 5. World Export: Melodramas of Colonial Conquest, by Jane Marie Gaines Part II: "Divided Mis-en-Scène: Colonial Cinema and Cold War Afterimages" 6. Tarzan/Taishan and Other Orphans: Taiwan's Melodrama of Decolonization, by Zhang Zhen 7. What Is an Auteur? H Y ng/Hinatsu Eitar /Huyung Between (Post)Colonial Indonesia, Japan, and Korea, by Thomas A. C. Barker and Nikki J. Y. Lee Part III: "Millennial Hauntings: Rising Global Asian Cinemas" 8. Cinema's Coloniality, by Takushi Odagiri 9. A Hallucinatory History of the Philippine-American War: Khavn's Balangiga: Howling Wilderness, by José B. Capino 10. Millennial Vengeance: Park Chan-Wook's Agassi (The Handmaiden) and the Return of Postcolonial Japonisme, by Nayoung Aimee Kwon Index
Acknowledgments On Romanization, Naming and Translation Introduction, by Nayoung Aimee Kwon and Takushi Odagiri Part I: "Time and Racialized Other: Colonial Modernity and Early Cinema" 1. Time, Race, and the Asynchronous in the Colonial Documentaries of Malaya, by Nadine Chan 2. Facing Malcontent Colonial Korean Comrades: A Typology of Colonial Cinema in Asia's Socialist Alliances, by Moonim Baek 3. Colonial-Era Film Theory, Spectatorship, and the Problem of Internalization, by Aaron Gerow 4. Chinese Cinema's Other: Wrangling over "China-humiliating" Films (ruHua pian), by Yiman Wang 5. World Export: Melodramas of Colonial Conquest, by Jane Marie Gaines Part II: "Divided Mis-en-Scène: Colonial Cinema and Cold War Afterimages" 6. Tarzan/Taishan and Other Orphans: Taiwan's Melodrama of Decolonization, by Zhang Zhen 7. What Is an Auteur? H Y ng/Hinatsu Eitar /Huyung Between (Post)Colonial Indonesia, Japan, and Korea, by Thomas A. C. Barker and Nikki J. Y. Lee Part III: "Millennial Hauntings: Rising Global Asian Cinemas" 8. Cinema's Coloniality, by Takushi Odagiri 9. A Hallucinatory History of the Philippine-American War: Khavn's Balangiga: Howling Wilderness, by José B. Capino 10. Millennial Vengeance: Park Chan-Wook's Agassi (The Handmaiden) and the Return of Postcolonial Japonisme, by Nayoung Aimee Kwon Index
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