By bridging the gap between theory and practice, Theorizing Folklore from the Margins confirms that engaging with oppressed communities is not only relevant, but necessary.
By bridging the gap between theory and practice, Theorizing Folklore from the Margins confirms that engaging with oppressed communities is not only relevant, but necessary.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Activist Encounters in Folklore and Ethnomusicology
Solimar Otero is Professor of Folklore in the Department of Folklore and Ethnomusicology at Indiana University. She is author of Archives of Conjure: Stories of the Dead in Afrolatinx Cultures and of Afro-Cuban Diasporas in the Atlantic World. She is editor (with Toyin Falola) of Yemoja: Gender, Sexuality, and Creativity in the Latina/o and Afro-Atlantic Diasporas. Mintzi Auanda Martínez-Rivera is Assistant Professor of Anthropology in the Department of Sociology and Anthropology at Providence College. She has published articles on the indigenous rock movement in Mexico, indigenous popular culture, and the use of food as decorations.
Inhaltsangabe
Part I: Critical Paths Introduction: How does Folklore find its voice in the 21st century? An offering/invitation from the margins 1. White Traditioning and Bruja Epistemologies: Rebuilding the House of USAmerican Folklore Studies 2. Un Tumbe Ch'ixi: Incorporating Afro-descendant Ideas into an Andean Anti-Colonial Methodology 3. Disrupting the Archive Part II: Framing the Narrative 4. Afrolatinx Folklore and Visual Representation: Interstices and Anti-Authenticity 5. Behaving Like Relatives: Or we don't sit around and talk about politics with strangers 6. Political Protest, Ideology, and Social Criticism in Wolof Folk Poetry 7. Sugar Cane Alley: Teaching the Concept of "Group" from a Critical Folkloristics Perspective 8. movimiento armado/armed movement Part III: Visualizing the Present 9. Ni lacras, ni lesbianas normalizadas: Trauma, matrimonio, conectividad y representación audiovisual para la comunidad lesbiana en Cuba 10. "¿Batata? ¡Batata!": Examining Puerto Rican Visual Folk Expression in Times of Adversities 11. Forming Strands and Ties in the Knotted Atlantic: Methodologies of Color and Practice of Beadwork in Lukumí Religion 12. Of Blithe Spirits: Narratives of Rebellion, Violence, and Cosmic Memory in Haitian Vodou Part IV: Placing Community 13. "No one would believe us": An Auto-Ethnography of Conducting Fieldwork in a Conflict 14. "La Sierra Juárez en Riverside": The Inaugural Oaxacan Philharmonic Bands Audition on a university campus 15. Hidden thoughts and exposed bodies: art, everyday life, and queering Cuban masculinities 16. Complexifying Identity through Disability: Critical Folkloristic Perspectives on Being a Parent and Experiencing Illness & Disability through My Child Index
Part I: Critical Paths Introduction: How does Folklore find its voice in the 21st century? An offering/invitation from the margins 1. White Traditioning and Bruja Epistemologies: Rebuilding the House of USAmerican Folklore Studies 2. Un Tumbe Ch'ixi: Incorporating Afro-descendant Ideas into an Andean Anti-Colonial Methodology 3. Disrupting the Archive Part II: Framing the Narrative 4. Afrolatinx Folklore and Visual Representation: Interstices and Anti-Authenticity 5. Behaving Like Relatives: Or we don't sit around and talk about politics with strangers 6. Political Protest, Ideology, and Social Criticism in Wolof Folk Poetry 7. Sugar Cane Alley: Teaching the Concept of "Group" from a Critical Folkloristics Perspective 8. movimiento armado/armed movement Part III: Visualizing the Present 9. Ni lacras, ni lesbianas normalizadas: Trauma, matrimonio, conectividad y representación audiovisual para la comunidad lesbiana en Cuba 10. "¿Batata? ¡Batata!": Examining Puerto Rican Visual Folk Expression in Times of Adversities 11. Forming Strands and Ties in the Knotted Atlantic: Methodologies of Color and Practice of Beadwork in Lukumí Religion 12. Of Blithe Spirits: Narratives of Rebellion, Violence, and Cosmic Memory in Haitian Vodou Part IV: Placing Community 13. "No one would believe us": An Auto-Ethnography of Conducting Fieldwork in a Conflict 14. "La Sierra Juárez en Riverside": The Inaugural Oaxacan Philharmonic Bands Audition on a university campus 15. Hidden thoughts and exposed bodies: art, everyday life, and queering Cuban masculinities 16. Complexifying Identity through Disability: Critical Folkloristic Perspectives on Being a Parent and Experiencing Illness & Disability through My Child Index
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