Theorizing Folklore from the Margins
Critical and Ethical Approaches
Herausgeber: Martinez-Rivera, Mintzi Auanda; Otero, Solimar
Theorizing Folklore from the Margins
Critical and Ethical Approaches
Herausgeber: Martinez-Rivera, Mintzi Auanda; Otero, Solimar
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By bridging the gap between theory and practice, Theorizing Folklore from the Margins confirms that engaging with oppressed communities is not only relevant, but necessary.
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By bridging the gap between theory and practice, Theorizing Folklore from the Margins confirms that engaging with oppressed communities is not only relevant, but necessary.
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Produktdetails
- Produktdetails
- Activist Encounters in Folklore and Ethnomusicology
- Verlag: Indiana University Press
- Seitenzahl: 352
- Erscheinungstermin: 15. Juni 2021
- Englisch
- Abmessung: 230mm x 153mm x 20mm
- Gewicht: 554g
- ISBN-13: 9780253056078
- ISBN-10: 0253056071
- Artikelnr.: 59914716
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Activist Encounters in Folklore and Ethnomusicology
- Verlag: Indiana University Press
- Seitenzahl: 352
- Erscheinungstermin: 15. Juni 2021
- Englisch
- Abmessung: 230mm x 153mm x 20mm
- Gewicht: 554g
- ISBN-13: 9780253056078
- ISBN-10: 0253056071
- Artikelnr.: 59914716
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
edited by Solimar Otero, Mintzi Auanda Martínez-Rivera, with contributions by Rachel V. González-Martin, Juan Eduardo Wolf, Miriam Melton-Villanueva, Sheila Bock, Solimar Otero, Rhonda R. Dass, Cheikh Tidiane Lo, Katherine Borland, Itzel Guadalupe Garcia, Mabel Cuesta, Gloria M. Colom Braña, Martin A. Tsang, Alexander Fernandez, Mintzi Auanda Martínez-Rivera, Xóchitl Chávez, Cory W. Thorne, Phyllis M. May-Machunda
Part I: Critical Paths
Introduction: How does Folklore find its voice in the 21st century? An
offering/invitation from the margins
1. White Traditioning and Bruja Epistemologies: Rebuilding the House of
USAmerican Folklore Studies
2. Un Tumbe Ch'ixi: Incorporating Afro-descendant Ideas into an Andean
Anti-Colonial Methodology
3. Disrupting the Archive
Part II: Framing the Narrative
4. Afrolatinx Folklore and Visual Representation: Interstices and
Anti-Authenticity
5. Behaving Like Relatives: Or we don't sit around and talk about politics
with strangers
6. Political Protest, Ideology, and Social Criticism in Wolof Folk Poetry
7. Sugar Cane Alley: Teaching the Concept of "Group" from a Critical
Folkloristics Perspective
8. movimiento armado/armed movement
Part III: Visualizing the Present
9. Ni lacras, ni lesbianas normalizadas: Trauma, matrimonio, conectividad y
representación audiovisual para la comunidad lesbiana en Cuba
10. "¿Batata? ¡Batata!": Examining Puerto Rican Visual Folk Expression in
Times of Adversities
11. Forming Strands and Ties in the Knotted Atlantic: Methodologies of
Color and Practice of Beadwork in Lukumí Religion
12. Of Blithe Spirits: Narratives of Rebellion, Violence, and Cosmic Memory
in Haitian Vodou
Part IV: Placing Community
13. "No one would believe us": An Auto-Ethnography of Conducting Fieldwork
in a Conflict
14. "La Sierra Juárez en Riverside": The Inaugural Oaxacan Philharmonic
Bands Audition on a university campus
15. Hidden thoughts and exposed bodies: art, everyday life, and queering
Cuban masculinities
16. Complexifying Identity through Disability: Critical Folkloristic
Perspectives on Being a Parent and Experiencing Illness & Disability
through My Child
Index
Introduction: How does Folklore find its voice in the 21st century? An
offering/invitation from the margins
1. White Traditioning and Bruja Epistemologies: Rebuilding the House of
USAmerican Folklore Studies
2. Un Tumbe Ch'ixi: Incorporating Afro-descendant Ideas into an Andean
Anti-Colonial Methodology
3. Disrupting the Archive
Part II: Framing the Narrative
4. Afrolatinx Folklore and Visual Representation: Interstices and
Anti-Authenticity
5. Behaving Like Relatives: Or we don't sit around and talk about politics
with strangers
6. Political Protest, Ideology, and Social Criticism in Wolof Folk Poetry
7. Sugar Cane Alley: Teaching the Concept of "Group" from a Critical
Folkloristics Perspective
8. movimiento armado/armed movement
Part III: Visualizing the Present
9. Ni lacras, ni lesbianas normalizadas: Trauma, matrimonio, conectividad y
representación audiovisual para la comunidad lesbiana en Cuba
10. "¿Batata? ¡Batata!": Examining Puerto Rican Visual Folk Expression in
Times of Adversities
11. Forming Strands and Ties in the Knotted Atlantic: Methodologies of
Color and Practice of Beadwork in Lukumí Religion
12. Of Blithe Spirits: Narratives of Rebellion, Violence, and Cosmic Memory
in Haitian Vodou
Part IV: Placing Community
13. "No one would believe us": An Auto-Ethnography of Conducting Fieldwork
in a Conflict
14. "La Sierra Juárez en Riverside": The Inaugural Oaxacan Philharmonic
Bands Audition on a university campus
15. Hidden thoughts and exposed bodies: art, everyday life, and queering
Cuban masculinities
16. Complexifying Identity through Disability: Critical Folkloristic
Perspectives on Being a Parent and Experiencing Illness & Disability
through My Child
Index
Part I: Critical Paths
Introduction: How does Folklore find its voice in the 21st century? An
offering/invitation from the margins
1. White Traditioning and Bruja Epistemologies: Rebuilding the House of
USAmerican Folklore Studies
2. Un Tumbe Ch'ixi: Incorporating Afro-descendant Ideas into an Andean
Anti-Colonial Methodology
3. Disrupting the Archive
Part II: Framing the Narrative
4. Afrolatinx Folklore and Visual Representation: Interstices and
Anti-Authenticity
5. Behaving Like Relatives: Or we don't sit around and talk about politics
with strangers
6. Political Protest, Ideology, and Social Criticism in Wolof Folk Poetry
7. Sugar Cane Alley: Teaching the Concept of "Group" from a Critical
Folkloristics Perspective
8. movimiento armado/armed movement
Part III: Visualizing the Present
9. Ni lacras, ni lesbianas normalizadas: Trauma, matrimonio, conectividad y
representación audiovisual para la comunidad lesbiana en Cuba
10. "¿Batata? ¡Batata!": Examining Puerto Rican Visual Folk Expression in
Times of Adversities
11. Forming Strands and Ties in the Knotted Atlantic: Methodologies of
Color and Practice of Beadwork in Lukumí Religion
12. Of Blithe Spirits: Narratives of Rebellion, Violence, and Cosmic Memory
in Haitian Vodou
Part IV: Placing Community
13. "No one would believe us": An Auto-Ethnography of Conducting Fieldwork
in a Conflict
14. "La Sierra Juárez en Riverside": The Inaugural Oaxacan Philharmonic
Bands Audition on a university campus
15. Hidden thoughts and exposed bodies: art, everyday life, and queering
Cuban masculinities
16. Complexifying Identity through Disability: Critical Folkloristic
Perspectives on Being a Parent and Experiencing Illness & Disability
through My Child
Index
Introduction: How does Folklore find its voice in the 21st century? An
offering/invitation from the margins
1. White Traditioning and Bruja Epistemologies: Rebuilding the House of
USAmerican Folklore Studies
2. Un Tumbe Ch'ixi: Incorporating Afro-descendant Ideas into an Andean
Anti-Colonial Methodology
3. Disrupting the Archive
Part II: Framing the Narrative
4. Afrolatinx Folklore and Visual Representation: Interstices and
Anti-Authenticity
5. Behaving Like Relatives: Or we don't sit around and talk about politics
with strangers
6. Political Protest, Ideology, and Social Criticism in Wolof Folk Poetry
7. Sugar Cane Alley: Teaching the Concept of "Group" from a Critical
Folkloristics Perspective
8. movimiento armado/armed movement
Part III: Visualizing the Present
9. Ni lacras, ni lesbianas normalizadas: Trauma, matrimonio, conectividad y
representación audiovisual para la comunidad lesbiana en Cuba
10. "¿Batata? ¡Batata!": Examining Puerto Rican Visual Folk Expression in
Times of Adversities
11. Forming Strands and Ties in the Knotted Atlantic: Methodologies of
Color and Practice of Beadwork in Lukumí Religion
12. Of Blithe Spirits: Narratives of Rebellion, Violence, and Cosmic Memory
in Haitian Vodou
Part IV: Placing Community
13. "No one would believe us": An Auto-Ethnography of Conducting Fieldwork
in a Conflict
14. "La Sierra Juárez en Riverside": The Inaugural Oaxacan Philharmonic
Bands Audition on a university campus
15. Hidden thoughts and exposed bodies: art, everyday life, and queering
Cuban masculinities
16. Complexifying Identity through Disability: Critical Folkloristic
Perspectives on Being a Parent and Experiencing Illness & Disability
through My Child
Index