Theory and Method in Historical Ethnomusicology demonstrates various ways that new approaches to historiography--and the related application of new technologies--impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space.
Theory and Method in Historical Ethnomusicology demonstrates various ways that new approaches to historiography--and the related application of new technologies--impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space.
Jonathan McCollum is associate professor of music at Washington College. David G. Hebert is professor of music with the Grieg Academy, Bergen University College, Norway.
Inhaltsangabe
Table of contents Foreword. The Past is No Longer a Foreign Country Keith Howard Acknowledgments Chapter 1. Foundations of Historical Ethnomusicology Jonathan McCollum and David G. Hebert Chapter 2. Methodologies for Historical Ethnomusicology in the Twenty-First Century David G. Hebert and Jonathan McCollum Chapter 3. Philosophy of History and Theory in Historical Ethnomusicology David G. Hebert and Jonathan McCollum Chapter 4. Hearing Echoes, Sensing History: The Challenges of Musical Diaspora Judah Cohen Chapter 5. Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in Historical Ethnomusicology Ann Lucas Chapter 6. Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth through Early Twentieth Centuries Jonathan McCollum Chapter 7. Southern American Fiddling through the Mid-Nineteenth Century: Three Snapshots with Modern Connections Chris Goertzen Chapter 8. A Tale of Two Sensibilities: Hindustani Music and its Histories Daniel M. Neuman Chapter 9. The Legacy of Music Archives in Historical Ethnomusicology: A Model for Engaged Ethnomusicology Diane Thram Chapter 10. Contested Contextualization: The Historical Construction of East Asian Music Keith Howard Chapter 11. Advancing Historical Ethnomusicology Jonathan McCollum and David G. Hebert Index About the Contributors
Table of contents Foreword. The Past is No Longer a Foreign Country Keith Howard Acknowledgments Chapter 1. Foundations of Historical Ethnomusicology Jonathan McCollum and David G. Hebert Chapter 2. Methodologies for Historical Ethnomusicology in the Twenty-First Century David G. Hebert and Jonathan McCollum Chapter 3. Philosophy of History and Theory in Historical Ethnomusicology David G. Hebert and Jonathan McCollum Chapter 4. Hearing Echoes, Sensing History: The Challenges of Musical Diaspora Judah Cohen Chapter 5. Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in Historical Ethnomusicology Ann Lucas Chapter 6. Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth through Early Twentieth Centuries Jonathan McCollum Chapter 7. Southern American Fiddling through the Mid-Nineteenth Century: Three Snapshots with Modern Connections Chris Goertzen Chapter 8. A Tale of Two Sensibilities: Hindustani Music and its Histories Daniel M. Neuman Chapter 9. The Legacy of Music Archives in Historical Ethnomusicology: A Model for Engaged Ethnomusicology Diane Thram Chapter 10. Contested Contextualization: The Historical Construction of East Asian Music Keith Howard Chapter 11. Advancing Historical Ethnomusicology Jonathan McCollum and David G. Hebert Index About the Contributors
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