"Examining the theories behind stage lighting practice to help readers learn to analyze the aesthetic and critical impacts of light in performance, this book traces the development of lighting practice, focusing on developmental shifts in technology and aesthetics from the classical period to the modern era. Through a range of historical and contemporary case studies, it focuses on light as a collaborative medium and advances a variety of approaches to performance analysis and creation. By concentrating on major innovations in the field, it addresses the gap between theory and practice. A…mehr
"Examining the theories behind stage lighting practice to help readers learn to analyze the aesthetic and critical impacts of light in performance, this book traces the development of lighting practice, focusing on developmental shifts in technology and aesthetics from the classical period to the modern era. Through a range of historical and contemporary case studies, it focuses on light as a collaborative medium and advances a variety of approaches to performance analysis and creation. By concentrating on major innovations in the field, it addresses the gap between theory and practice. A companion website features links to images, chapter summaries, questions and further resources for study"--
Series Preface Acknowledgments Introduction: Light, Colour and Perception SECTION ONE From Natural to Artificial Light The Sam Wanamaker Playhouse and The Duchess of Malfi Henry Irving, Gaslight and The Bells Lighting in The Modern Era: Anton Chekhov's The Cherry Orchard The New Stagecraft Symbolist Drama and The Intruder: A Complex Engagement Beneath the Surface SECTION TWO From Modernism to the Postmodern Era A Semiotic Approach to Performance Analysis Case Study: Loïe Fuller: Dancing with Light Case Study: Robert Wilson's Einstein on the Beach Case Study: Tadashi Suzuki's The Trojan Women SECTION THREE From the Gallery to the Community to the Stage Case Study: James Turrell: Light, Space, Perception and Duration Case Study: The Winston Salem Light Project: Seeing Familiar Spaces in Unfamiliar Ways Case Study Refik Anadol: Light, Space and Artificial Intelligence Case Study: David Byrne's American Utopia: Live Theatre and Emergent Technology Notes References Further Reading Index
Series Preface Acknowledgments Introduction: Light, Colour and Perception SECTION ONE From Natural to Artificial Light The Sam Wanamaker Playhouse and The Duchess of Malfi Henry Irving, Gaslight and The Bells Lighting in The Modern Era: Anton Chekhov's The Cherry Orchard The New Stagecraft Symbolist Drama and The Intruder: A Complex Engagement Beneath the Surface SECTION TWO From Modernism to the Postmodern Era A Semiotic Approach to Performance Analysis Case Study: Loïe Fuller: Dancing with Light Case Study: Robert Wilson's Einstein on the Beach Case Study: Tadashi Suzuki's The Trojan Women SECTION THREE From the Gallery to the Community to the Stage Case Study: James Turrell: Light, Space, Perception and Duration Case Study: The Winston Salem Light Project: Seeing Familiar Spaces in Unfamiliar Ways Case Study Refik Anadol: Light, Space and Artificial Intelligence Case Study: David Byrne's American Utopia: Live Theatre and Emergent Technology Notes References Further Reading Index
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