There are Crimes and Crimes - Strindberg, August
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A satirical play that skewers the hypocrisy and moral turpitude of Swedish society in the late 19th century. The plot revolves around a wealthy businessman who engages in various illicit affairs and schemes, and the efforts of those around him to expose and exploit his misdeeds. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity…mehr

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Produktbeschreibung
A satirical play that skewers the hypocrisy and moral turpitude of Swedish society in the late 19th century. The plot revolves around a wealthy businessman who engages in various illicit affairs and schemes, and the efforts of those around him to expose and exploit his misdeeds. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
Johan August Strindberg was a Swedish dramatist, writer, poet, essayist, and painter who lived from 22 January 1849 to 14 May 1912. The Red Room (1879), written by him, has usually been referred to be the first modern Swedish book. He is regarded as the "father" of contemporary Swedish writing. With its attempt to portray the unconscious processes by doing away with traditional theatrical time and space, Zola's A Dream Play (1902) had a key influence on both expressionism and surrealism. He assisted in running the Intimate Theatre, which produced his chamber pieces and was fashioned after Max Reinhardt's Kammerspielhaus (such as The Ghost Sonata). He interacted with a wide range of artists from Germany, Poland, and Scandinavia. He focused on Frida Uhl, who was just twenty-three years Strindberg's junior. They tied the knot in 1893. The couple split up less than a year after the birth of their daughter Kerstin, however their marriage was not legally dissolved until 1897. Shortly after one of Strindberg's plays had its American premiere, he passed away. The Father, a translation by Edith Gardener Shearn Oland and her husband Warner Oland, debuted on April 9, 1912, at the Berkeley Theatre in New York.