There Is Violence and There Is Righteous Violence and There Is Death Or, the Born-Again Crow - Crow, Caleigh
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Grocery-store clerk Beth has had a hell of a week. A hell of a life, actually, full of people squashing her soul. And after pushing back at life--stabbing a steak to her boss's desk and lighting a magazine rack on fire, for instance--freshly unemployed Beth regroups at her mom's suburban home. Just when Beth starts to think she's to blame for systemic limits, the gift of a bird feeder sparks a relationship with a talking Crow who reconnects her with her true power. This sly chamber piece from new voice Caleigh Crow turns post-capitalism ennui on its head with a righteous fury. It unearths the…mehr

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Produktbeschreibung
Grocery-store clerk Beth has had a hell of a week. A hell of a life, actually, full of people squashing her soul. And after pushing back at life--stabbing a steak to her boss's desk and lighting a magazine rack on fire, for instance--freshly unemployed Beth regroups at her mom's suburban home. Just when Beth starts to think she's to blame for systemic limits, the gift of a bird feeder sparks a relationship with a talking Crow who reconnects her with her true power. This sly chamber piece from new voice Caleigh Crow turns post-capitalism ennui on its head with a righteous fury. It unearths the subtle (and not so subtle) ways we gaslight the marginalized, especially Indigenous women, people living with mental-health afflictions, and anyone struggling to make ends meet in low-income service jobs. There Is Violence captures the vivacity and humour of one truly remarkable woman not meant for this earth, and brings her to her own glorious transcendence.
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Autorenporträt
Caleigh Crow is a queer Metis theatre artist from northeast Calgary. Previous playwriting topics include a talking crow and a grocery clerk, the mass coronal ejection of 1859, the Antifa supersoldier, the intersection between twelfth century Franciscan nuns and Britney Spears, remote viewing, witch revenge, and a landlord musical. She is the co-founder and artistic lead of Thumbs Up Good Work Theatre. Her work tends towards themes of metaphysics, class struggle, magic, and serious whimsy.