There She Goes Again interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By asking under what terms women protagonists are imagined, envisioned, embodied, and replicated in media, this book challenges how we should define—and whether we need—feminine forms of knowledge and power.
There She Goes Again interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By asking under what terms women protagonists are imagined, envisioned, embodied, and replicated in media, this book challenges how we should define—and whether we need—feminine forms of knowledge and power.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
AVIVA DOVE-VIEBAHN is an assistant professor of film and media studies at Arizona State University, as well as a frequent contributor to Ms. magazine and a screenwriter. She is the coeditor of Public Feminisms: From Academy to Community.
Inhaltsangabe
Introduction 1. Why Feminine Intuition?: The Gendering of Knowledge and Power 2. Seriality and ‘Strong Female Characters’: The Double Bind of Women’s Empowerment 3. From Girl Power to Intersectional Sisterhood: Exceptionalism and the Imperatives of Belonging 4. Motherhood and Myth: Inside and Outside the Family Circle 5. At the End of the World: Apocalyptic Bodies and the Feminine Sublime Acknowledgments Bibliography Index
Introduction 1. Why Feminine Intuition?: The Gendering of Knowledge and Power 2. Seriality and ‘Strong Female Characters’: The Double Bind of Women’s Empowerment 3. From Girl Power to Intersectional Sisterhood: Exceptionalism and the Imperatives of Belonging 4. Motherhood and Myth: Inside and Outside the Family Circle 5. At the End of the World: Apocalyptic Bodies and the Feminine Sublime Acknowledgments Bibliography Index
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