This exploration of the poetry and prose of Caribbean women writers reveals in their imagery a rich tradition of erotic relations between women.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
Omise’eke Natasha Tinsley is Assistant Professor of English at the University of Minnesota.
Inhaltsangabe
Acknowledgments ix Introduction: The Spring of Her Look 1 1. "Rose is my mama, stanfaste is my papa": Hybrid Landscapes and Sexualities in Surinamese Women's Oral Poetry 29 2. Darkening the Lily: The Erotics of Self-Making in Eliot Bliss's Luminous Isle 68 3. Blue Countries, Dark Beauty: Opaque Desires in the Poetry of Ida Faubert 102 4. At the River of Washerwomen: Work, Water, and Sexual Fluidity in Mayotte Capécia's I Am a Martinican Woman 136 5. Transforming Sugar, Transitioning Revolution: Male Womanhood and Lesbian Eroticism in Michelle Cliff's No Telephone to Heaven 169 6. Breaking Hard against Things: Crossing between Sexual and Revolutionary Politics in Dionne Brand's No Language in Neutral 201 Notes 233 Bibliography 257 Index 269
Acknowledgments ix Introduction: The Spring of Her Look 1 1. "Rose is my mama, stanfaste is my papa": Hybrid Landscapes and Sexualities in Surinamese Women's Oral Poetry 29 2. Darkening the Lily: The Erotics of Self-Making in Eliot Bliss's Luminous Isle 68 3. Blue Countries, Dark Beauty: Opaque Desires in the Poetry of Ida Faubert 102 4. At the River of Washerwomen: Work, Water, and Sexual Fluidity in Mayotte Capécia's I Am a Martinican Woman 136 5. Transforming Sugar, Transitioning Revolution: Male Womanhood and Lesbian Eroticism in Michelle Cliff's No Telephone to Heaven 169 6. Breaking Hard against Things: Crossing between Sexual and Revolutionary Politics in Dionne Brand's No Language in Neutral 201 Notes 233 Bibliography 257 Index 269
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