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Thinking Fascism analyzes three works by women writers--Djuna Barnes's Nightwood (1936), Marguerite Yourcenar's Denier du rêve (1934), and Virginia Woolf's Three Guineas (1938)--that engage, directly or indirectly, with fascist politics and ideology. Through these analyses, the author explores the conjunction between fascism and other forms of modernity, and refines the discussion about the relationship between women intellectuals and the various aesthetic and ideological practices collected under the names of modernism and facism. >