The artists, philosophers, art historians and cultural theorists contributing to this book address the complexity of interpreting art as research and suggest ways in which the visual and the verbal could engage in more productive and open discussions.
The artists, philosophers, art historians and cultural theorists contributing to this book address the complexity of interpreting art as research and suggest ways in which the visual and the verbal could engage in more productive and open discussions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Katy Macleod Lin Holdridge; Part 1 Introduction to Part 1 Katy Macleod Lin Holdridge; Chapter 1 Art and theoria Nicholas Davey; Chapter 2 Interrupting the artist Clive Cazeaux; Chapter 3 Concrete abstractions and intersemiotic translations Kenneth G. Hay; Chapter 4 Repeat: entity and ground Ken Neil; Chapter 5 The virtually new Peter Dallow; Part 2 Introduction to Part 2 Katy Macleod Lin Holdridge; Chapter 6 Representing illusions Tim O'Riley; Chapter 7 Spatial ontology in fine art practice Naren Barfield; Chapter 8 sidekick; Chapter 9 Painting Jim Mooney; Chapter 10 Poesis Siún Hanrahan; Chapter 11 Frozen complexity Milos Rankovic; Chapter 12 Decolonising methods Gavin Renwick; Part 3 Introduction to Part 3 Katy Macleod Lin Holdridge; Chapter 13 Hybrid texts and academic authority Iain Biggs; Chapter 14 The gesture of writing Kerstin Mey; Chapter 15 Derrida's 'two paintings in painting' Jeff Collins; Chapter 16 A method of search for reality Timothy Emlyn Jones; Afterword James Elkins;
Introduction Katy Macleod Lin Holdridge; Part 1 Introduction to Part 1 Katy Macleod Lin Holdridge; Chapter 1 Art and theoria Nicholas Davey; Chapter 2 Interrupting the artist Clive Cazeaux; Chapter 3 Concrete abstractions and intersemiotic translations Kenneth G. Hay; Chapter 4 Repeat: entity and ground Ken Neil; Chapter 5 The virtually new Peter Dallow; Part 2 Introduction to Part 2 Katy Macleod Lin Holdridge; Chapter 6 Representing illusions Tim O'Riley; Chapter 7 Spatial ontology in fine art practice Naren Barfield; Chapter 8 sidekick; Chapter 9 Painting Jim Mooney; Chapter 10 Poesis Siún Hanrahan; Chapter 11 Frozen complexity Milos Rankovic; Chapter 12 Decolonising methods Gavin Renwick; Part 3 Introduction to Part 3 Katy Macleod Lin Holdridge; Chapter 13 Hybrid texts and academic authority Iain Biggs; Chapter 14 The gesture of writing Kerstin Mey; Chapter 15 Derrida's 'two paintings in painting' Jeff Collins; Chapter 16 A method of search for reality Timothy Emlyn Jones; Afterword James Elkins;
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