The way that characters in early modern theatrical performance think through their surroundings is important in our understanding of perception, memory, and other forms of embodied affective thought. This book explores this concept in dramatic works by Marlowe, Shakespeare, Beaumont, and Jonson.
The way that characters in early modern theatrical performance think through their surroundings is important in our understanding of perception, memory, and other forms of embodied affective thought. This book explores this concept in dramatic works by Marlowe, Shakespeare, Beaumont, and Jonson.
Andrew Bozio is Assistant Professor of English at Skidmore College, where he teaches courses on early modern English drama and literary theory.
Inhaltsangabe
* Introduction: Thinking Through Place on the Early Modern English Stage * 1: Forms of Emplacement: The Arts of Memory, Chorography, and Theatrical Performance * 2: Marlowe and the Ecology of Remembrance * 3: The Perception of Place in King Lear * 4: Staging Failure: Disorientation in The Knight of the Burning Pestle * 5: Bartholomew Fair and the Performativity of Place * Conclusion: 'no need of place'
* Introduction: Thinking Through Place on the Early Modern English Stage * 1: Forms of Emplacement: The Arts of Memory, Chorography, and Theatrical Performance * 2: Marlowe and the Ecology of Remembrance * 3: The Perception of Place in King Lear * 4: Staging Failure: Disorientation in The Knight of the Burning Pestle * 5: Bartholomew Fair and the Performativity of Place * Conclusion: 'no need of place'
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