Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College. He has written, edited, and translated many books, including Spanglish: The Making of a New American Language, The Poetry of Pablo Neruda, and The Norton Anthology of Latino Literature. Jorge J. E. Gracia is Samuel P. Capen Chair and SUNY Distinguished Professor of Philosophy and Comparative Literature at the State University of New York at Buffalo. His many books include Painting Borges: Philosophy Interpreting Art Interpreting Literature, Images of Thought: Philosophical Interpretations of Carlos…mehr
Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College. He has written, edited, and translated many books, including Spanglish: The Making of a New American Language, The Poetry of Pablo Neruda, and The Norton Anthology of Latino Literature. Jorge J. E. Gracia is Samuel P. Capen Chair and SUNY Distinguished Professor of Philosophy and Comparative Literature at the State University of New York at Buffalo. His many books include Painting Borges: Philosophy Interpreting Art Interpreting Literature, Images of Thought: Philosophical Interpretations of Carlos Estévez's Art, and Latinos in America: Philosophy and Social Identity.
Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College. He has written, edited, and translated many books, including Spanglish: The Making of a New American Language, The Poetry of Pablo Neruda, and The Norton Anthology of Latino Literature. Jorge J. E. Gracia is Samuel P. Capen Chair and SUNY Distinguished Professor of Philosophy and Comparative Literature at the State University of New York at Buffalo. His many books include Painting Borges: Philosophy Interpreting Art Interpreting Literature, Images of Thought: Philosophical Interpretations of Carlos Estévez's Art, and Latinos in America: Philosophy and Social Identity.
Inhaltsangabe
Acknowledgments vii Thirteen 1 1. The Labyrinth of History: Einar and Jamex de la Torre, La reconquista 17 2. The Impostor's Mask: María Brito, Conversation 35 3. On Desecration: Andres Serrano, Piss Christ 49 4. The Death Game: Francisco Oller, El velorio 61 5. A Girl's Innocence: Marian Yampolsky, Elva 75 6. The Thereafter: Carmen Lomas Garza, Heaven and Hell 93 7. The Street as Art: BEAR_TCK, Chicano Graffiti 107 8. Desperate Escape: José Bedia, Siguiendo su instinto 123 9. The Horrors of War: Luis Cruz Azaceta, Slaughter 139 10. The Ambiguity of Madness: Martín Ramírez, No. 111, Untitled (Train and Tunnel) 153 11. I Laugh in Your Race! Jean-Michel Basquiat, Untitled (Skull) 167 12. American America: María Magdalena Campos-Pons, Above All Things 181 13. Twisted Tongue: Adál, La Spanglish Sandwich Bodega Bag 195 Thirteen Plus One 209 The Artists219 Index 227
Acknowledgments vii Thirteen 1 1. The Labyrinth of History: Einar and Jamex de la Torre, La reconquista 17 2. The Impostor's Mask: María Brito, Conversation 35 3. On Desecration: Andres Serrano, Piss Christ 49 4. The Death Game: Francisco Oller, El velorio 61 5. A Girl's Innocence: Marian Yampolsky, Elva 75 6. The Thereafter: Carmen Lomas Garza, Heaven and Hell 93 7. The Street as Art: BEAR_TCK, Chicano Graffiti 107 8. Desperate Escape: José Bedia, Siguiendo su instinto 123 9. The Horrors of War: Luis Cruz Azaceta, Slaughter 139 10. The Ambiguity of Madness: Martín Ramírez, No. 111, Untitled (Train and Tunnel) 153 11. I Laugh in Your Race! Jean-Michel Basquiat, Untitled (Skull) 167 12. American America: María Magdalena Campos-Pons, Above All Things 181 13. Twisted Tongue: Adál, La Spanglish Sandwich Bodega Bag 195 Thirteen Plus One 209 The Artists219 Index 227
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