Keri Watson is Associate Professor of Art History at University of Central Florida. Keidra Daniels Navaroli is a McKnight Doctoral Fellow in the Texts and Technology Program at University of Central Florida.
Inhaltsangabe
* Preface * Chapter 1: Constructing Indigenous America * Early America: Mound Builder Cultures * Adena Culture * Hopewell Culture * Art of the Pacific Northwest * Old Bering Sea Culture * The Tlingit and Haida Cultures of the Northwest Coast * Art and Architecture of the Southwest * The Hohokam Culture * The Mimbres Culture * Art of the Caribbean Taíno * Chapter 2: Colonial Disruptions: Un/Making a "New World" * Constructing and Circulating Images of the Other * In Search of Spices * In Search of Gold * Labor and Luxury * Forced Labor, Conquest, and Colonization * Power and Portraiture * Building the "New World" * New Spain * New England and New Netherland * New France * Chapter 3: Establishing an Anglo American Nation: Art During the Federal Period * Visualizing Revolution * The War of the Conquest * The Sons of Liberty * Picturing America and Americans * Framing the Other * Establishing a National Iconography * Building American Institutions * Staging Rebellion * The Myth of Benevolence * Chapter 4: The Nineteenth Century: Westward Expansion and Indian Removal * Remaking the Nation * Florida and the American South * The Trans-Mississippi West * Portraying Native Bodies * From "Noble Savage" to "Vanishing Race" * Fashioning the Self: Native Subjects Speak Back * Imagining the West * Survey Paintings and Photography * "Cowboys and Indians" * Chapter 5: The Nineteenth Century: Stitching Together a New Body Politic * Painting Scenes of Everyday Life * Americans at Work and at Home * Prints and Patrons * Performing the Other * Mythologizing the Past * Art, Literature, and the Penny Press * The Mexican American War * The Civil War * Go West! * Race, Art, and Activism * Representing Slavery and Freedom * Images of Reconstruction * Chapter 6: The Nineteenth Century: Reshaping the Landscape * Rural Cemeteries and Public Parks * Philadelphia: Athens of America * The American Sublime * Plantation Portraits * American Impressionism * The End of Landscape Painting * Chapter 7: From the Gilded Age to the Progressive Era: Picturing Gender, Race, and Class * Exhibiting Wealth and Class in the Gilded Age * Portraits and Power * Building the Gilded Age * Globalism and Imperialism at World's Fairs * Scientific Racism and the Centennial International Exposition of 1876 * Women, Race, and the World's Columbian Exposition of 1893 * The War of 1898 and the Louisiana Purchase Exposition * Picturing Gender, Race, and Class in the Progressive Era * How the Other Half Lives * Out of the Ash Can * Chapter 8: The Multiple Modernisms of the Interwar Period * The New Negro Movement * The Jazz Age * Sculpting the Harlem Renaissance * Stieglitz, Precisionism, and Surrealism * The Stieglitz Circle * Capturing the Machine Age * Surrealism in the Americas * Pueblo Artists and the Taos School * Figuration * Abstraction * Regionalism and the American Scene * American Regionalism * Painting the American Scene * Chapter 9: Depression and Recovery: The New Deal, World War II, and the Post-War Boom * The New Deal * Public Works of Art * Social Realism * The Art of War * Representing War * Illustrating Internment * Mythmaking: Postwar Abstraction * Abstract Expressionism * Color Field Painting * "Out in the World": Found Objects, Funk, and Pop * Neo-Dada * Pop * Chapter 10: Challenging the Past and Imagining the Future * Art and/as Activism * The Black Arts Movement * The Feminist Arts Movement * The Chicano Arts Movement * Disability Rights * The Gay Rights Movement * Art in the Expanded Sphere * Minimalism, Conceptualism, and Earth Art * Faith and Reason * Neo-Expressionism and Afro-Futurism * Key Terms * Index
* Preface * Chapter 1: Constructing Indigenous America * Early America: Mound Builder Cultures * Adena Culture * Hopewell Culture * Art of the Pacific Northwest * Old Bering Sea Culture * The Tlingit and Haida Cultures of the Northwest Coast * Art and Architecture of the Southwest * The Hohokam Culture * The Mimbres Culture * Art of the Caribbean Taíno * Chapter 2: Colonial Disruptions: Un/Making a "New World" * Constructing and Circulating Images of the Other * In Search of Spices * In Search of Gold * Labor and Luxury * Forced Labor, Conquest, and Colonization * Power and Portraiture * Building the "New World" * New Spain * New England and New Netherland * New France * Chapter 3: Establishing an Anglo American Nation: Art During the Federal Period * Visualizing Revolution * The War of the Conquest * The Sons of Liberty * Picturing America and Americans * Framing the Other * Establishing a National Iconography * Building American Institutions * Staging Rebellion * The Myth of Benevolence * Chapter 4: The Nineteenth Century: Westward Expansion and Indian Removal * Remaking the Nation * Florida and the American South * The Trans-Mississippi West * Portraying Native Bodies * From "Noble Savage" to "Vanishing Race" * Fashioning the Self: Native Subjects Speak Back * Imagining the West * Survey Paintings and Photography * "Cowboys and Indians" * Chapter 5: The Nineteenth Century: Stitching Together a New Body Politic * Painting Scenes of Everyday Life * Americans at Work and at Home * Prints and Patrons * Performing the Other * Mythologizing the Past * Art, Literature, and the Penny Press * The Mexican American War * The Civil War * Go West! * Race, Art, and Activism * Representing Slavery and Freedom * Images of Reconstruction * Chapter 6: The Nineteenth Century: Reshaping the Landscape * Rural Cemeteries and Public Parks * Philadelphia: Athens of America * The American Sublime * Plantation Portraits * American Impressionism * The End of Landscape Painting * Chapter 7: From the Gilded Age to the Progressive Era: Picturing Gender, Race, and Class * Exhibiting Wealth and Class in the Gilded Age * Portraits and Power * Building the Gilded Age * Globalism and Imperialism at World's Fairs * Scientific Racism and the Centennial International Exposition of 1876 * Women, Race, and the World's Columbian Exposition of 1893 * The War of 1898 and the Louisiana Purchase Exposition * Picturing Gender, Race, and Class in the Progressive Era * How the Other Half Lives * Out of the Ash Can * Chapter 8: The Multiple Modernisms of the Interwar Period * The New Negro Movement * The Jazz Age * Sculpting the Harlem Renaissance * Stieglitz, Precisionism, and Surrealism * The Stieglitz Circle * Capturing the Machine Age * Surrealism in the Americas * Pueblo Artists and the Taos School * Figuration * Abstraction * Regionalism and the American Scene * American Regionalism * Painting the American Scene * Chapter 9: Depression and Recovery: The New Deal, World War II, and the Post-War Boom * The New Deal * Public Works of Art * Social Realism * The Art of War * Representing War * Illustrating Internment * Mythmaking: Postwar Abstraction * Abstract Expressionism * Color Field Painting * "Out in the World": Found Objects, Funk, and Pop * Neo-Dada * Pop * Chapter 10: Challenging the Past and Imagining the Future * Art and/as Activism * The Black Arts Movement * The Feminist Arts Movement * The Chicano Arts Movement * Disability Rights * The Gay Rights Movement * Art in the Expanded Sphere * Minimalism, Conceptualism, and Earth Art * Faith and Reason * Neo-Expressionism and Afro-Futurism * Key Terms * Index
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