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* Preface
* Chapter 1: Constructing Indigenous America
* Early America: Mound Builder Cultures
* Adena Culture
* Hopewell Culture
* Art of the Pacific Northwest
* Old Bering Sea Culture
* The Tlingit and Haida Cultures of the Northwest Coast
* Art and Architecture of the Southwest
* The Hohokam Culture
* The Mimbres Culture
* Art of the Caribbean Taíno
* Chapter 2: Colonial Disruptions: Un/Making a "New World"
* Constructing and Circulating Images of the Other
* In Search of Spices
* In Search of Gold
* Labor and Luxury
* Forced Labor, Conquest, and Colonization
* Power and Portraiture
* Building the "New World"
* New Spain
* New England and New Netherland
* New France
* Chapter 3: Establishing an Anglo American Nation: Art During the
Federal Period
* Visualizing Revolution
* The War of the Conquest
* The Sons of Liberty
* Picturing America and Americans
* Framing the Other
* Establishing a National Iconography
* Building American Institutions
* Staging Rebellion
* The Myth of Benevolence
* Chapter 4: The Nineteenth Century: Westward Expansion and Indian
Removal
* Remaking the Nation
* Florida and the American South
* The Trans-Mississippi West
* Portraying Native Bodies
* From "Noble Savage" to "Vanishing Race"
* Fashioning the Self: Native Subjects Speak Back
* Imagining the West
* Survey Paintings and Photography
* "Cowboys and Indians"
* Chapter 5: The Nineteenth Century: Stitching Together a New Body
Politic
* Painting Scenes of Everyday Life
* Americans at Work and at Home
* Prints and Patrons
* Performing the Other
* Mythologizing the Past
* Art, Literature, and the Penny Press
* The Mexican American War
* The Civil War
* Go West!
* Race, Art, and Activism
* Representing Slavery and Freedom
* Images of Reconstruction
* Chapter 6: The Nineteenth Century: Reshaping the Landscape
* Rural Cemeteries and Public Parks
* Philadelphia: Athens of America
* The American Sublime
* Plantation Portraits
* American Impressionism
* The End of Landscape Painting
* Chapter 7: From the Gilded Age to the Progressive Era: Picturing
Gender, Race, and Class
* Exhibiting Wealth and Class in the Gilded Age
* Portraits and Power
* Building the Gilded Age
* Globalism and Imperialism at World's Fairs
* Scientific Racism and the Centennial International Exposition of 1876
* Women, Race, and the World's Columbian Exposition of 1893
* The War of 1898 and the Louisiana Purchase Exposition
* Picturing Gender, Race, and Class in the Progressive Era
* How the Other Half Lives
* Out of the Ash Can
* Chapter 8: The Multiple Modernisms of the Interwar Period
* The New Negro Movement
* The Jazz Age
* Sculpting the Harlem Renaissance
* Stieglitz, Precisionism, and Surrealism
* The Stieglitz Circle
* Capturing the Machine Age
* Surrealism in the Americas
* Pueblo Artists and the Taos School
* Figuration
* Abstraction
* Regionalism and the American Scene
* American Regionalism
* Painting the American Scene
* Chapter 9: Depression and Recovery: The New Deal, World War II, and
the Post-War Boom
* The New Deal
* Public Works of Art
* Social Realism
* The Art of War
* Representing War
* Illustrating Internment
* Mythmaking: Postwar Abstraction
* Abstract Expressionism
* Color Field Painting
* "Out in the World": Found Objects, Funk, and Pop
* Neo-Dada
* Pop
* Chapter 10: Challenging the Past and Imagining the Future
* Art and/as Activism
* The Black Arts Movement
* The Feminist Arts Movement
* The Chicano Arts Movement
* Disability Rights
* The Gay Rights Movement
* Art in the Expanded Sphere
* Minimalism, Conceptualism, and Earth Art
* Faith and Reason
* Neo-Expressionism and Afro-Futurism
* Key Terms
* Index
