"Takes us back to that moment between the fifties and the sixties when a new music called free jazz took root in the coffeehouses and nightclubs of New York City, Chicago, and Los Angeles."â John Szwed, author of So What: The Life of Miles Davis
"Takes us back to that moment between the fifties and the sixties when a new music called free jazz took root in the coffeehouses and nightclubs of New York City, Chicago, and Los Angeles."â John Szwed, author of So What: The Life of Miles Davis
Iain Anderson is Professor and Chair of History at Northeastern State University.
Inhaltsangabe
Introduction 1. The Resurgence of Jazz in the 1950s 2. Free Improvisation Challenges the Jazz Canon 3. Free Jazz and Black Nationalism 4. The Musicians and Their Audience 5. Jazz Outside The Marketplace Epilogue Bibliography Index Acknowledgments
Introduction 1. The Resurgence of Jazz in the 1950s 2. Free Improvisation Challenges the Jazz Canon 3. Free Jazz and Black Nationalism 4. The Musicians and Their Audience 5. Jazz Outside The Marketplace Epilogue Bibliography Index Acknowledgments
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