This Red Metropolis What Remains - Wilson, Leia Penina
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"Answering a call to go feral, these poems are part invocation, part prayer, elevating the confessional by exploring the nature of confession from a feminist and anti-colonial perspective. A pop surreal romp reckoning with lyric buoyancy through a mythic apocalypse, mysteriously stark and playful. We meet voices trying to survive, reconcile their own belonging, maybe, that drop in and out of a mystic narrative. What happens in the aftermath of brutality? What do you do? The poems begin to break down even their own authority. The landscape is itself too unsettled; the form varies and reflects…mehr

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"Answering a call to go feral, these poems are part invocation, part prayer, elevating the confessional by exploring the nature of confession from a feminist and anti-colonial perspective. A pop surreal romp reckoning with lyric buoyancy through a mythic apocalypse, mysteriously stark and playful. We meet voices trying to survive, reconcile their own belonging, maybe, that drop in and out of a mystic narrative. What happens in the aftermath of brutality? What do you do? The poems begin to break down even their own authority. The landscape is itself too unsettled; the form varies and reflects this endless transformation of embodiment and interrogation. What can be recovered, if anything, through an uninterrupted interrogation of memory, category, and language-an unbroken attention to the speaker's own authority. Creating an architecture and landscape that expresses both a ruination of cultural time and an eternity of interior time, confession and lyric become as much about the I as the you/we"--
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Autorenporträt
Leia Penina Wilson is the author of i built a boat with all the towels in your closet (and will let you drown) and Splinters are Children of Wood. Her work has appeared in Denver Quarterly, Dream Pop Press, and Split Lip. She is an afakasi Samoan poet from the Midwest, and she lives in Pittsburgh, PA.