In this major reassessment of his subject, Richard Rowland restores Thomas Heywood- playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualises and historicises this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Thomas Heywood's Theatre, 1599-1639, fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
In this major reassessment of his subject, Richard Rowland restores Thomas Heywood- playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualises and historicises this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Thomas Heywood's Theatre, 1599-1639, fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
Richard Rowland is Senior Lecturer in Drama and English, University of York, UK.
Inhaltsangabe
Contents: Introduction; Part I Heywood's English Landscapes: A 'London that yee see hourely': Heywood, Stow, and the invention of the city staged; Moving inside(s): Heywood's divided households. Part II Staging Roman Comedy in Stuart London: Introduction: stages of translation in early modern England; 'Of coyne and prtious marchandyse': trade and slavery in The Captives; 'Some mirth, some matter': the innovative tragicomedy of The English Traveller; Out of the dripping pan, into the fire: Loves Mistris. Part III Street Theatre: London's peaceable estate? The pageants; Index.
Contents: Introduction; Part I Heywood's English Landscapes: A 'London that yee see hourely': Heywood, Stow, and the invention of the city staged; Moving inside(s): Heywood's divided households. Part II Staging Roman Comedy in Stuart London: Introduction: stages of translation in early modern England; 'Of coyne and prtious marchandyse': trade and slavery in The Captives; 'Some mirth, some matter': the innovative tragicomedy of The English Traveller; Out of the dripping pan, into the fire: Loves Mistris. Part III Street Theatre: London's peaceable estate? The pageants; Index.
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