Through examining case studies of animal representation in Thomas Pynchon's works, Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings and conducts conducting a comparative study of Pynchon's narratives and his contemporary documentarians and thinkers.
Through examining case studies of animal representation in Thomas Pynchon's works, Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings and conducts conducting a comparative study of Pynchon's narratives and his contemporary documentarians and thinkers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: For Whom the Fable Says: Pynchon, Lyotard, and Carson Chapter 1. Who Caught the Blood of the Alligator? V. Chapter 2. The Dolphin Jumped over the Moon: The Crying of Lot 49 Chapter 3. What We Talk about When We Talk about Extinction: Gravity's Rainbow Chapter 4. Who's Afraid of the Big Badass? Vineland and Inherent Vice Chapter 5. Sonnets for a Multispecies Cradle: Mason & Dixon and Against the Day Chapter 6. The Lady with the Alligator Purse: Bleeding Edge and Jonathan Safran Foer Conclusion: And Then There Were None (Except for Nature on the Screen): Documentary Guys, Grizzly Man, and Thomas Pynchon
Introduction: For Whom the Fable Says: Pynchon, Lyotard, and Carson Chapter 1. Who Caught the Blood of the Alligator? V. Chapter 2. The Dolphin Jumped over the Moon: The Crying of Lot 49 Chapter 3. What We Talk about When We Talk about Extinction: Gravity's Rainbow Chapter 4. Who's Afraid of the Big Badass? Vineland and Inherent Vice Chapter 5. Sonnets for a Multispecies Cradle: Mason & Dixon and Against the Day Chapter 6. The Lady with the Alligator Purse: Bleeding Edge and Jonathan Safran Foer Conclusion: And Then There Were None (Except for Nature on the Screen): Documentary Guys, Grizzly Man, and Thomas Pynchon
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