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Traumatised by what he witnessed in the streets of Sarajevo during the 1990s siege, newsman James Lambert flees back to England, seeking peace and recovery in the beauty and apparent tranquillity of the countryside. He'd narrowly escaped death from a Serbian shell and watched his Bosnian lover die Haunted by memories and the reverberating clamour of guns he takes on a small farm in the Welsh Marches, with a commission to write about the conflict. Though entranced by the unspoiled beauty of the landscape he settles slowly into a community which seems to him a time warp of ideas and behaviour.…mehr

Produktbeschreibung
Traumatised by what he witnessed in the streets of Sarajevo during the 1990s siege, newsman James Lambert flees back to England, seeking peace and recovery in the beauty and apparent tranquillity of the countryside. He'd narrowly escaped death from a Serbian shell and watched his Bosnian lover die Haunted by memories and the reverberating clamour of guns he takes on a small farm in the Welsh Marches, with a commission to write about the conflict. Though entranced by the unspoiled beauty of the landscape he settles slowly into a community which seems to him a time warp of ideas and behaviour. His seclusion is disrupted by a vulnerable girl's appeal to find a home for her young horse and his kindness to her drags him into the mesh of her family's secret guilt. A letter draws him back to Bosnia and he becomes involved in covering the ongoing search for the bodies of the missing. His relationship with the girl is threatened by the enmity of her ex-boyfriend but it develops into a love which brings with it dreadful consequences.
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Autorenporträt
Frances Brand lives in Shropshire among the glorious countryside of the Marches where ravens can fly quickly over the border into Wales.Frances is a former journalist who changed career when the internet was hitting regional papers; she began a new writing career and opened the doors of her hilltop home to paying guests. Love of the landscape and the natural world in all its beauty and harshness forms the backdrop to her work, providing both inspiration and characters. Latterly she was editor of a farming newspaper, working closely with farmers and others involved in agriculture. She knows at first hand the problems and vicissitudes of farming in the 21st-century in a claustrophobic rural society, as depicted in her first novel Thorns. The elevated location of her small farm was also key to the theme of a second novel, Adam's Ark, which imagined the impact on the landscape and community of extreme flooding caused by global warming.