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TABLE OF CONTENTS / TABLE DES MATIERES :
INTRODUCTION
AVANT-PROPOS
PART 1: Three Dialogues
1. Steve BARFIELD: THE RESOURCES OF UNREPRESENTABILITY:
A Lacanian Glimpse of Beckett's 'Three Dialogues'
2. David CUNNINGHAM: EX MIMESIS:
Greenberg, Modernism and Beckett's 'Three Dialogues'
3. Andrew GIBSON: THREE DIALOGUES AND BECKETT'S TRAGIC ETHOS
4. David A. HATCH: "I AM MISTAKEN":
Surface and Subtext in Samuel Beckett's 'Three Dialogues'
5. Lois OPPENHEIM: DISTURBING THE FEASIBLE: Object Representation in
'Three Dialogues with Georges Duthuit'
6. Jeremy PARROTT: "NOTHING NEATLY NAMED":
The Beckettian Aesthetic and Negative Theology
7. Philip TEW: THREE DIALOGUES AS A LAUGHABLE TEXT?:
Beckett's Bergsonian Comedy
PART 2: Beckett and Modern Theatre
8. Catherine LAWS: THE MUSIC OF BECKETT'S THEATRE
9. Aleks SIERZ: "A RELEVANT AND CINEMATIC ENVIRONMENT":
Filming Beckett's Plays
10. Paul B. KELLEY: DRAMA AND/AS THE PURSUIT OF NARRATIVE:
'Cascando' and 'Inferno XXIV'
11. Garin DOWD: KARAOKE BECKETT, OR JEREMY IRONS, MIMICRY
AND TRAVESTY IN 'OHIO IMPROMPTU 'ON FILM
12. John DEAMER: AUTHORITY AND RESISTANCE: The Event in 'What Where'
PART 3: Free Space
13. Jean-Pierre FERRINI : À PARTIR DU DÉSERT: Dante et l' "aphonie" de Virgile
dans "Le calmant" de Samuel Beckett
14. Darren GRIBBEN: SAMUEL BECKETT: NUMBER 465. Censorship of the Self
and Imagination in Beckett's Work After World War II
15. Chiara MONTINI : WATT ET LE QUATRAIN HÉROÏQUE OU LE CHAOS EN RIME CROISÉE
16. María José CARRERA: THE RUPTURE OF THE LINES OF COMMUNICATION BETWEEN SUBJECT AND OBJECT IN BECKETT'S FOUR NOVELLAS
17. Marie-Hélène BOBLET-VIART : TOPIQUE ROMANESQUE ET DÉCONSTRUCTION
NARRATIVE DANS 'MERCIER ET CAMIER'
INTRODUCTION
AVANT-PROPOS
PART 1: Three Dialogues
1. Steve BARFIELD: THE RESOURCES OF UNREPRESENTABILITY:
A Lacanian Glimpse of Beckett's 'Three Dialogues'
2. David CUNNINGHAM: EX MIMESIS:
Greenberg, Modernism and Beckett's 'Three Dialogues'
3. Andrew GIBSON: THREE DIALOGUES AND BECKETT'S TRAGIC ETHOS
4. David A. HATCH: "I AM MISTAKEN":
Surface and Subtext in Samuel Beckett's 'Three Dialogues'
5. Lois OPPENHEIM: DISTURBING THE FEASIBLE: Object Representation in
'Three Dialogues with Georges Duthuit'
6. Jeremy PARROTT: "NOTHING NEATLY NAMED":
The Beckettian Aesthetic and Negative Theology
7. Philip TEW: THREE DIALOGUES AS A LAUGHABLE TEXT?:
Beckett's Bergsonian Comedy
PART 2: Beckett and Modern Theatre
8. Catherine LAWS: THE MUSIC OF BECKETT'S THEATRE
9. Aleks SIERZ: "A RELEVANT AND CINEMATIC ENVIRONMENT":
Filming Beckett's Plays
10. Paul B. KELLEY: DRAMA AND/AS THE PURSUIT OF NARRATIVE:
'Cascando' and 'Inferno XXIV'
11. Garin DOWD: KARAOKE BECKETT, OR JEREMY IRONS, MIMICRY
AND TRAVESTY IN 'OHIO IMPROMPTU 'ON FILM
12. John DEAMER: AUTHORITY AND RESISTANCE: The Event in 'What Where'
PART 3: Free Space
13. Jean-Pierre FERRINI : À PARTIR DU DÉSERT: Dante et l' "aphonie" de Virgile
dans "Le calmant" de Samuel Beckett
14. Darren GRIBBEN: SAMUEL BECKETT: NUMBER 465. Censorship of the Self
and Imagination in Beckett's Work After World War II
15. Chiara MONTINI : WATT ET LE QUATRAIN HÉROÏQUE OU LE CHAOS EN RIME CROISÉE
16. María José CARRERA: THE RUPTURE OF THE LINES OF COMMUNICATION BETWEEN SUBJECT AND OBJECT IN BECKETT'S FOUR NOVELLAS
17. Marie-Hélène BOBLET-VIART : TOPIQUE ROMANESQUE ET DÉCONSTRUCTION
NARRATIVE DANS 'MERCIER ET CAMIER'