A groundbreaking edition of three seventeenth-century plays that all engage in diverse and exciting ways with questions of gender and performance. The plays are John Fletcher's 'The Wild-Goose Chase', James Shirley's 'The Bird in a Cage' and Margaret Cavendish's 'The Convent of Pleasure'.
A groundbreaking edition of three seventeenth-century plays that all engage in diverse and exciting ways with questions of gender and performance. The plays are John Fletcher's 'The Wild-Goose Chase', James Shirley's 'The Bird in a Cage' and Margaret Cavendish's 'The Convent of Pleasure'.
Hero Chalmers is a freelance academic Julie Sanders is Professor of English Literature and Drama at the University of Nottingham Sophie Tomlinson is Senior Lecturer at the University of Auckland
Inhaltsangabe
General Editors' Preface Acknowledgements Abbreviations and references Introduction The historical context The plays The texts Stage histories The plays John Fletcher, The Wild-Goose Chase (ed. Sophie Tomlinson) James Shirley, The Bird in a Cage (ed. Julie Sanders) Margaret Cavendish, The Convent of Pleasure (ed. Hero Chalmers) Appendices A: Press variants B: Commendatory verses to The Wild-Goose Chase (1652) Index
General Editors' Preface Acknowledgements Abbreviations and references Introduction The historical context The plays The texts Stage histories The plays John Fletcher, The Wild-Goose Chase (ed. Sophie Tomlinson) James Shirley, The Bird in a Cage (ed. Julie Sanders) Margaret Cavendish, The Convent of Pleasure (ed. Hero Chalmers) Appendices A: Press variants B: Commendatory verses to The Wild-Goose Chase (1652) Index
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