Three Soldiers by John Dos Passos, Fiction, Classics, Literary, War & Military - Dos Passos, John
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H.L. Mencken, then practising primarily as an American literary critic, praised the book in the pages of The Smart Set: "Until Three Soldiers is forgotten and fancy achieves its inevitable victory over fact, no war story can be written in the United States without challenging comparison with it--and no story that is less meticulously true will stand up to it. At one blast it disposed of oceans of romance and blather. It changed the whole tone of American opinion about the war; it even changed the recollections of actual veterans of the war. They saw, no doubt, substantially what Dos Passos…mehr

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H.L. Mencken, then practising primarily as an American literary critic, praised the book in the pages of The Smart Set: "Until Three Soldiers is forgotten and fancy achieves its inevitable victory over fact, no war story can be written in the United States without challenging comparison with it--and no story that is less meticulously true will stand up to it. At one blast it disposed of oceans of romance and blather. It changed the whole tone of American opinion about the war; it even changed the recollections of actual veterans of the war. They saw, no doubt, substantially what Dos Passos saw, but it took his bold realism to disentangle their recollections from the prevailing buncombe and sentimentality." "Don't you know better than to sleep in your O.D. shirt? Take it off." "Yes, sir." "What's your name?" The man looked up, blinking, too dazed to speak. "Don't know your own name, eh?" said the officer, glaring at the man savagely, using his curt voice like a whip. -- "Quick, take off yer shirt and pants and get back to bed." The Officer of the Day moved on, flashing his light to one side and the other in his midnight inspection of the barracks. Intense blackness again, and the sound of men breathing deeply in sleep, of men snoring. As he went to sleep Fuselli could hear the man beside him swearing, monotonously, in an even whisper, pausing now and then to think of new filth, of new combinations of words, swearing away his helpless anger, soothing himself to sleep by the monotonous reiteration of his swearing. A little later Fuselli woke with a choked nightmare cry. He had dreamed that he had smashed the O.D. in the jaw and had broken out of the jug and was running, breathless, stumbling, falling, while the company on guard chased him down an avenue lined with little dried-up saplings, gaining on him, while with voices metallic as the clicking of rifle triggers officers shouted orders, so that he was certain to be caught, certain to be shot. He shook himself all over, shaking off the nightmare as a dog shakes off water, and went back to sleep again, snuggling into his blankets.
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Autorenporträt
John Roderigo Dos Passos (1896 - 1970) was an American novelist and artist active in the first half of the twentieth century. Born in Chicago, Illinois, he graduated from Harvard College in 1916. He was well-traveled, visiting Europe and the Middle East, where he learned about literature, art and architecture. During World War I, he was a member of the American Volunteer Motor Ambulance Corps in Paris and in Italy, later joining the U.S. Army Medical Corps. In 1920 Dos Passos' first novel, One Man's Initiation: 1917 was published and in 1925 his novel, Manhattan Transfer, became a commercial success. In 1928, he went to the Soviet Union to study socialism and later became a leading participant in the 1935 First American Writers Congress sponsored by the communist-leaning League of American Writers. He was in Spain in 1937 during the Spanish Civil War, when the murder of his friend José Robles soured his attitude toward communism and led to severing his relationship with fellow writer Ernest Hemingway.