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Profiles of Michelangelo, Rembrandt and Beethoven. Even in their destinies the three masters are comparable, for their characters were essentially akin and so drew down on each a similar fate. They were all, throughout life, misanthropical, enigmatic, distrustful; and at certain periods each approached the borderland of madness. Despite their prodigious successes, all three had been perpetually in conflict with the world; Michelangelo strove for power, Rembrandt for luxury, Beethoven for love; but each attained his desire only by fits and starts, and always at the cost of bitter experiences. All three lost the few men and women whom they loved.…mehr

Produktbeschreibung
Profiles of Michelangelo, Rembrandt and Beethoven. Even in their destinies the three masters are comparable, for their characters were essentially akin and so drew down on each a similar fate. They were all, throughout life, misanthropical, enigmatic, distrustful; and at certain periods each approached the borderland of madness. Despite their prodigious successes, all three had been perpetually in conflict with the world; Michelangelo strove for power, Rembrandt for luxury, Beethoven for love; but each attained his desire only by fits and starts, and always at the cost of bitter experiences. All three lost the few men and women whom they loved.
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Autorenporträt
Emil Ludwig (originally named Emil Cohn) was born in Breslau, now part of Poland. Born into a Jewish family, he was raised as a non-Jew but was not baptized. "Many persons have become Jews since Hitler," he said. "I have been a Jew since the murder of Walther Rathenau [in 1922], from which date I have emphasized that I am a Jew."[2][3] Ludwig studied law but chose writing as a career. At first he wrote plays and novellas, also working as a journalist. In 1906, he moved to Switzerland, but, during World War I, he worked as a foreign correspondent for the Berliner Tageblatt in Vienna and Istanbul. He became a Swiss citizen in 1932, later emigrating to the United States in 1940.