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Mária Feren¿uhová has emerged as one of the most promising and original European poets of the twenty-first century and is a rising star at international festivals. Beginning as one of the cool, post-modernist Slovak "aNesthetic" and "Text" poets using a matter-of-fact language with precise visual perceptions, her work has expanded its range of concerns from urban life to a wider perception of the individual in a world damaged by history and threatened by environmental destruction. At the heart of her work is a profound belief in a necessary relationship between human beings and the earth. It…mehr

Produktbeschreibung
Mária Feren¿uhová has emerged as one of the most promising and original European poets of the twenty-first century and is a rising star at international festivals. Beginning as one of the cool, post-modernist Slovak "aNesthetic" and "Text" poets using a matter-of-fact language with precise visual perceptions, her work has expanded its range of concerns from urban life to a wider perception of the individual in a world damaged by history and threatened by environmental destruction. At the heart of her work is a profound belief in a necessary relationship between human beings and the earth. It doesn't take much: touch the earth like one's own skin, let the nervous system overgrow through the border of the body take root, descend to the depths of the river, not to persist in running, to stop, give.
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Autorenporträt
Mária Feren¿uhová was born in Bratislava in 1975 and is a poet, translator and film theorist. She is editor of the of the film magazine, King-Icon, translates from French and teaches at the Academy of Performing Arts in Bratislava and the Academy of Arts in Banská Bystrica. She has published four collections of poetry, Skryté titulky (Hidden subtitles, 2003), Princíp neistoty (Principle of uncertainty, 2008), Ohroz-ený druh (Threatened Species, 2012) and Imunita (Immunity, 2016), also a study of documentary film, Odlöený ¿as (Time Delay).