Time and Space in Russian Drama of the Turn of the Twentieth and Twenty-First Centuries
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The monograph is devoted to the study of formal and content categories of time and space in a dramatic work as genre and plot-forming categories of artistic discourse. The spatio-temporal continuum of the drama of the turn of the XX-XXI centuries is characterized by the transformation of genre features. Texts often become non-staged, intended only for reading; the idea of the author and the character changes. Such changes in the specifics of dramaturgical genres are primarily associated with a change in the classical notion of the unity of time and space in plays. In this aspect, the most sign...
The monograph is devoted to the study of formal and content categories of time and space in a dramatic work as genre and plot-forming categories of artistic discourse. The spatio-temporal continuum of the drama of the turn of the XX-XXI centuries is characterized by the transformation of genre features. Texts often become non-staged, intended only for reading; the idea of the author and the character changes. Such changes in the specifics of dramaturgical genres are primarily associated with a change in the classical notion of the unity of time and space in plays. In this aspect, the most significant in the modern literary study is a versatile comprehension of the space-time continuum in modern works (in particular, in plays) as a way of reflecting the worldview of a modern playwright, which, in turn, determines the process of formation of the personality of a modern man.
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