By foregrounding bodily pleasure in the experience of time and its representation in queer literature, film, video, and art, Elizabeth Freeman challenges queer theorys recent emphasis on loss and trauma.
By foregrounding bodily pleasure in the experience of time and its representation in queer literature, film, video, and art, Elizabeth Freeman challenges queer theorys recent emphasis on loss and trauma.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
Elizabeth Freeman is Associate Professor of English at the University of California, Davis. She is the author of The Wedding Complex: Forms of Belonging in Modern American Culture, also published by Duke University Press.
Inhaltsangabe
Preface ix Acknowledgments xxv Introduction: Queer and Not Now 1 1. Junk Inheritances, Bad Timing: Familial Arrhythmia in Three Working-Class Dyke Narratives 21 2. Deep Lez: Temporal Drag and the Specters of Feminism 59 3. Time Binds, or, Erotohistoriography 95 4. Turn the Beat Around: Sadomasochism, Temporality, History 137 Coda 171 Appendix: Distributors for Films and Videos 175 Notes 177 Bibliography 193 Index 209
Preface ix Acknowledgments xxv Introduction: Queer and Not Now 1 1. Junk Inheritances, Bad Timing: Familial Arrhythmia in Three Working-Class Dyke Narratives 21 2. Deep Lez: Temporal Drag and the Specters of Feminism 59 3. Time Binds, or, Erotohistoriography 95 4. Turn the Beat Around: Sadomasochism, Temporality, History 137 Coda 171 Appendix: Distributors for Films and Videos 175 Notes 177 Bibliography 193 Index 209
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