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"Time Machines examines the relationship between art and technology in the decades following the French Revolution, focusing on optical telegraphy, a novel form of visual communication developed in the 1790s that remained in use until the mid-1850s"--

Produktbeschreibung
"Time Machines examines the relationship between art and technology in the decades following the French Revolution, focusing on optical telegraphy, a novel form of visual communication developed in the 1790s that remained in use until the mid-1850s"--
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Autorenporträt
Richard Taws is Professor of History of Art and Visual Culture at University College London. He is the author of The Politics of the Provisional as well as coeditor, with Iris Moon, of Time, Media, and Visuality in Post-Revolutionary France and, with Genevieve Warwick, Art and Technology in Early Modern Europe.