- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance.
Andere Kunden interessierten sich auch für
- Travis NewtonOrchestra Management Handbook: Building Relationships in Turbulent Times142,99 €
- Music Discourse from Classical to Early Modern Times56,99 €
- Bernard HollandSomething I Heard: A New York Times Critic Remembers 1981-200834,99 €
- Stacy ZemonThe DJ Sales and Marketing Handbook38,99 €
- Rachel May GoldenMapping Medieval Identities in Occitanian Crusade Song95,99 €
- Alon SchabA Performer's Guide to Transcribing, Editing, and Arranging Early Music142,99 €
- The Oxford Handbook of Assessment Policy and Practice in Music Education, Volume 1227,99 €
-
-
-
How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 216
- Erscheinungstermin: 18. August 2023
- Englisch
- Abmessung: 243mm x 164mm x 20mm
- Gewicht: 454g
- ISBN-13: 9780197635216
- ISBN-10: 0197635210
- Artikelnr.: 67865039
- Verlag: Oxford University Press, USA
- Seitenzahl: 216
- Erscheinungstermin: 18. August 2023
- Englisch
- Abmessung: 243mm x 164mm x 20mm
- Gewicht: 454g
- ISBN-13: 9780197635216
- ISBN-10: 0197635210
- Artikelnr.: 67865039
Nancy Murphy is Assistant Professor of Music at the University of Michigan, previously teaching at the University of Houston and the University of Chicago. Her research studies singer-songwriter music, metric flexibility, self-expression, vocal production, and transcription. She has published articles and reviews in Music Theory Spectrum, Music Analysis, and Music Theory Online and serves on the editorial boards of Music Theory Online, Indiana Theory, and Engaging Students: Essays in Music Pedagogy (Associate Editor). She has reviewed journal submission for multiple peer-reviewed publications including Music Theory Spectrum, Popular Music, Music Theory Online, Analytical Approaches to World Music, Engaging Students, and Indiana Theory Review.
Abstract
Table of Contents
List of Figures and Captions
Acknowledgements
Chapter 1: The Self Expressive Rhetoric of Flexible Meter
Self-Expressive Features
Flexible Meter and "The Fiddle and the Drum"
Self-Expression and the Singer-Songwriter
Expectations for Singer-Songwriter Music
Bob Dylan and The Folk Revival
Flexible Meter as Self-Expression in Singer-Songwriter Music
Chapter 2: The Theory of Flexible Meter
Types of Flexible Meter
Regular Meter
Reinterpreted Meter
Lost Meter
Ambiguous Meter
Metric Potential
Chapter 3: Regular and Reinterpreted Meter
Regular Meter
Reinterpreted Meter
Joni Mitchell's Rhapsodic Sentiments
Paul Simon: Reinterpreted Meter Expressing Enigmatic Lyrics
Cat Stevens's Introspection
A Closer Look: Joni Mitchell's "Lesson in Survival"
Chapter 4: Self-Expressive Innovations: Lost Meter
Bob Dylan's "Only a Pawn in Their Game"
Cat Stevens's "Time"
Joni Mitchell's "Blue"
Chapter 5: Intensifying "Imperfection": Ambiguous Meter
Bob Dylan's "Down the Highway"
Bob Dylan's "Restless Farewell"
Joni Mitchell's "The Fiddle and the Drum"
Buffy Sainte-Marie's "Sir Patrick Spens"
Chapter 6: What Happens Next? Self-Expressive Flexible Meter
Beyond 1982
Future Singer-Songwriters
Buffy Sainte-Marie's "My Country" (1966)
"My Country" (1966, Rainbow Quest)
"My Country" (2017, Medicine Songs)
Conclusion: Flexible Meter as Self-Expression
Index
Table of Contents
List of Figures and Captions
Acknowledgements
Chapter 1: The Self Expressive Rhetoric of Flexible Meter
Self-Expressive Features
Flexible Meter and "The Fiddle and the Drum"
Self-Expression and the Singer-Songwriter
Expectations for Singer-Songwriter Music
Bob Dylan and The Folk Revival
Flexible Meter as Self-Expression in Singer-Songwriter Music
Chapter 2: The Theory of Flexible Meter
Types of Flexible Meter
Regular Meter
Reinterpreted Meter
Lost Meter
Ambiguous Meter
Metric Potential
Chapter 3: Regular and Reinterpreted Meter
Regular Meter
Reinterpreted Meter
Joni Mitchell's Rhapsodic Sentiments
Paul Simon: Reinterpreted Meter Expressing Enigmatic Lyrics
Cat Stevens's Introspection
A Closer Look: Joni Mitchell's "Lesson in Survival"
Chapter 4: Self-Expressive Innovations: Lost Meter
Bob Dylan's "Only a Pawn in Their Game"
Cat Stevens's "Time"
Joni Mitchell's "Blue"
Chapter 5: Intensifying "Imperfection": Ambiguous Meter
Bob Dylan's "Down the Highway"
Bob Dylan's "Restless Farewell"
Joni Mitchell's "The Fiddle and the Drum"
Buffy Sainte-Marie's "Sir Patrick Spens"
Chapter 6: What Happens Next? Self-Expressive Flexible Meter
Beyond 1982
Future Singer-Songwriters
Buffy Sainte-Marie's "My Country" (1966)
"My Country" (1966, Rainbow Quest)
"My Country" (2017, Medicine Songs)
Conclusion: Flexible Meter as Self-Expression
Index
Abstract
Table of Contents
List of Figures and Captions
Acknowledgements
Chapter 1: The Self Expressive Rhetoric of Flexible Meter
Self-Expressive Features
Flexible Meter and "The Fiddle and the Drum"
Self-Expression and the Singer-Songwriter
Expectations for Singer-Songwriter Music
Bob Dylan and The Folk Revival
Flexible Meter as Self-Expression in Singer-Songwriter Music
Chapter 2: The Theory of Flexible Meter
Types of Flexible Meter
Regular Meter
Reinterpreted Meter
Lost Meter
Ambiguous Meter
Metric Potential
Chapter 3: Regular and Reinterpreted Meter
Regular Meter
Reinterpreted Meter
Joni Mitchell's Rhapsodic Sentiments
Paul Simon: Reinterpreted Meter Expressing Enigmatic Lyrics
Cat Stevens's Introspection
A Closer Look: Joni Mitchell's "Lesson in Survival"
Chapter 4: Self-Expressive Innovations: Lost Meter
Bob Dylan's "Only a Pawn in Their Game"
Cat Stevens's "Time"
Joni Mitchell's "Blue"
Chapter 5: Intensifying "Imperfection": Ambiguous Meter
Bob Dylan's "Down the Highway"
Bob Dylan's "Restless Farewell"
Joni Mitchell's "The Fiddle and the Drum"
Buffy Sainte-Marie's "Sir Patrick Spens"
Chapter 6: What Happens Next? Self-Expressive Flexible Meter
Beyond 1982
Future Singer-Songwriters
Buffy Sainte-Marie's "My Country" (1966)
"My Country" (1966, Rainbow Quest)
"My Country" (2017, Medicine Songs)
Conclusion: Flexible Meter as Self-Expression
Index
Table of Contents
List of Figures and Captions
Acknowledgements
Chapter 1: The Self Expressive Rhetoric of Flexible Meter
Self-Expressive Features
Flexible Meter and "The Fiddle and the Drum"
Self-Expression and the Singer-Songwriter
Expectations for Singer-Songwriter Music
Bob Dylan and The Folk Revival
Flexible Meter as Self-Expression in Singer-Songwriter Music
Chapter 2: The Theory of Flexible Meter
Types of Flexible Meter
Regular Meter
Reinterpreted Meter
Lost Meter
Ambiguous Meter
Metric Potential
Chapter 3: Regular and Reinterpreted Meter
Regular Meter
Reinterpreted Meter
Joni Mitchell's Rhapsodic Sentiments
Paul Simon: Reinterpreted Meter Expressing Enigmatic Lyrics
Cat Stevens's Introspection
A Closer Look: Joni Mitchell's "Lesson in Survival"
Chapter 4: Self-Expressive Innovations: Lost Meter
Bob Dylan's "Only a Pawn in Their Game"
Cat Stevens's "Time"
Joni Mitchell's "Blue"
Chapter 5: Intensifying "Imperfection": Ambiguous Meter
Bob Dylan's "Down the Highway"
Bob Dylan's "Restless Farewell"
Joni Mitchell's "The Fiddle and the Drum"
Buffy Sainte-Marie's "Sir Patrick Spens"
Chapter 6: What Happens Next? Self-Expressive Flexible Meter
Beyond 1982
Future Singer-Songwriters
Buffy Sainte-Marie's "My Country" (1966)
"My Country" (1966, Rainbow Quest)
"My Country" (2017, Medicine Songs)
Conclusion: Flexible Meter as Self-Expression
Index