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How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance.

Produktbeschreibung
How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance.
Autorenporträt
Nancy Murphy is Assistant Professor of Music at the University of Michigan, previously teaching at the University of Houston and the University of Chicago. Her research studies singer-songwriter music, metric flexibility, self-expression, vocal production, and transcription. She has published articles and reviews in Music Theory Spectrum, Music Analysis, and Music Theory Online and serves on the editorial boards of Music Theory Online, Indiana Theory, and Engaging Students: Essays in Music Pedagogy (Associate Editor). She has reviewed journal submission for multiple peer-reviewed publications including Music Theory Spectrum, Popular Music, Music Theory Online, Analytical Approaches to World Music, Engaging Students, and Indiana Theory Review.