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This stunning and steamy debut chronicles the adventures of Nan King, a small-town girl at the turn of the century whose life takes a wild turn when she follows a local music hall star to London. "Readers of all sexes and orientations should identify with this gutsy hero as she learns who she is and how to love."--"Newsday."
"Erotic and absorbing…Written with startling power."-The New York Times Book Review Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box
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Produktbeschreibung
This stunning and steamy debut chronicles the adventures of Nan King, a small-town girl at the turn of the century whose life takes a wild turn when she follows a local music hall star to London. "Readers of all sexes and orientations should identify with this gutsy hero as she learns who she is and how to love."--"Newsday."
"Erotic and absorbing…Written with startling power."-The New York Times Book Review Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.
Autorenporträt
Sarah Waters is the New York Times–bestselling author of The Paying Guests , The Little Stranger,The Night Watch, Fingersmith, Affinity, and Tipping the Velvet. She has three times been short-listed for the Man Booker Prize, has twice been a finalist for the Orange Prize, and was named one of  Granta’s best young British novelists, among other distinctions. Waters lives in London.
Rezensionen
Intelligent, witty and stylish, the novel re-imagines a lost lesbian history through vivid sensual detail, evocative period slang (the title is a sexual euphemism) and a satisfyingly complex plot Independent