'Tis Nature's Fault
Herausgeber: Maccubbin, Robert P.
1. Introduction Robert P. Maccubbin; 2. 'The secrets of generation
display'd': Aristotle's masterpiece in eighteenth-century England Roy
Porter; 3. Sexual imagination as revealed in the Traité des superstitions
of Abbé Jean-Baptiste Theirs Jean Marie Goulemot, translated by Odile
Wagner and Arthur Greenspan; 4. Married but not churched: plebeian sexual
relations and marital nonconformity in eighteenth-century Britain John R.
Gillis; 5. Moral values in 'la suite de l'entretien' Théodore Tarczylo,
translated by James Coke and Michael Murray; 6. Prostitution and reform in
eighteenth-century England Vern L. Bullough; 7. The properties of
libertinism James G. Turner; 8. Between the licit and the illicit: the
sexuality of the king Jean-Pierre Guicciardi, translated by Michael Murray;
9. The sublimations of a fetishist: restif de la bretonne (1734-1806) David
Coward; 10. Sodomitical subcultures, sodomitical roles, and the gender
revolution of the eighteenth century: the recent historiography Randolph
Trumbach; 11. The priest, the philosopher, and the homosexuality in
enlightenment France Michael Delon, translated by Nelly Stéphane; 12. The
pursuit of homosexuality in the eighteenth century: 'utterly confused
category' and/or rich repository? G. S. Rousseau; 13. Sodomy in the Dutch
Depublic during the eighteenth century Arend H. Hudson, Jr.; 14. Parisian
homosexuals create a lifestyle, 1700-50: the police archives Michel Rey,
translated by Robert A. Day and Robert Welsh; 15. The censor censured:
expurgating Memoirs of a Woman of Pleasure Peter Sabor; 16. Chathonic and
pelagic metaphorization in eighteenth-century English erotica Paul-Gabriel
Boucé; 17. Modes of discourse and the language of sexual reference in
eighteenth-century French fiction Robert J. Ellrich; 18. The Mélange de
poésies diverses (1781) and the diffusion of manuscript pornography in
eighteenth-century France Robert L. Dawson; 19. Obscence literature in
eighteenth-century Italy: an historical and bibliographical note Armando
Marchi, translated by James Coke and David Marsh.
