This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English mediev
This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English mediev
David Mills (1938-2013) was Emeritus Professor of English at the University of Liverpool, UK; Philip Butterworth is Visiting Research Fellow at the Institute for Medieval Studies, University of Leeds, UK
Inhaltsangabe
Introduction, Philip Butterworth. Section 1 Editors and Editing: Modern editions of medieval English plays; Theories and practices in the editing of the Chester cycle play manuscripts; Medievalism and revival: editors and editions. Section 2 Cultural Contexts: Approaches to medieval drama; Music and musicians in Chester: a summary account; Chester's midsummer show: creation and adaptation; 'A tale of two cities: Chester and Coventry in the 1490s. Section 3 Staging and Performance: The theatres of Everyman; The 'behold and see' convention in medieval drama; Characterisation in the English mystery cycles; 'None had the like nor the like darste set out': the city of Chester and its mystery cycle. Section 4 Criticism and Evaluation: The 'now' of 'then'; I know my place: some thoughts on status and station in the English mystery plays; No place like home: the Northampton 'Abraham and Isaac' play, a re-appraisal; 'The Towneley plays' or 'the Towneley cycle'?. Section 5 Audience - Defenders and Opponents: Who are our customers? The audience for Chester's plays; Where have all the players gone? A Chester problem; Chester's covenant theology; 'Some precise cittizins': puritan objections to Chester's plays; Some theological issues in Chester's plays. Section 6 Views on the Antiquarians: Netta Syrett and the old miracle plays of England; Replaying the medieval past: revivals of Chester's mystery plays; The antiquarians and the critics: the Chester plays and the criticism of early English drama; 'The 1951 revival' and 'The new tradition'. Index.
Introduction, Philip Butterworth. Section 1 Editors and Editing: Modern editions of medieval English plays; Theories and practices in the editing of the Chester cycle play manuscripts; Medievalism and revival: editors and editions. Section 2 Cultural Contexts: Approaches to medieval drama; Music and musicians in Chester: a summary account; Chester's midsummer show: creation and adaptation; 'A tale of two cities: Chester and Coventry in the 1490s. Section 3 Staging and Performance: The theatres of Everyman; The 'behold and see' convention in medieval drama; Characterisation in the English mystery cycles; 'None had the like nor the like darste set out': the city of Chester and its mystery cycle. Section 4 Criticism and Evaluation: The 'now' of 'then'; I know my place: some thoughts on status and station in the English mystery plays; No place like home: the Northampton 'Abraham and Isaac' play, a re-appraisal; 'The Towneley plays' or 'the Towneley cycle'?. Section 5 Audience - Defenders and Opponents: Who are our customers? The audience for Chester's plays; Where have all the players gone? A Chester problem; Chester's covenant theology; 'Some precise cittizins': puritan objections to Chester's plays; Some theological issues in Chester's plays. Section 6 Views on the Antiquarians: Netta Syrett and the old miracle plays of England; Replaying the medieval past: revivals of Chester's mystery plays; The antiquarians and the critics: the Chester plays and the criticism of early English drama; 'The 1951 revival' and 'The new tradition'. Index.
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