To Leeward - Crawford, F. Marion
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1883. With frontispiece. F. Marion Crawford was one of the more famous authors in the English-speaking world at the time of his death in 1909. He wrote over forty novels, most of which were in the style of disposable romances popular at the time. He also wrote stories of the horror and occult, which are generally the ones for which he is remembered today. To Leeward begins: There are two Romes. There is the Rome of the intelligent foreigner, consisting of excavations, monuments, tramways, hotels, typhoid fever, incense, and wax candles; and there is the Rome within, a city of antique customs,…mehr

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Produktbeschreibung
1883. With frontispiece. F. Marion Crawford was one of the more famous authors in the English-speaking world at the time of his death in 1909. He wrote over forty novels, most of which were in the style of disposable romances popular at the time. He also wrote stories of the horror and occult, which are generally the ones for which he is remembered today. To Leeward begins: There are two Romes. There is the Rome of the intelligent foreigner, consisting of excavations, monuments, tramways, hotels, typhoid fever, incense, and wax candles; and there is the Rome within, a city of antique customs, good and bad, a town full of aristocratic prejudices, of intrigues, of religion, of old-fashioned honor and new-fashioned scandal, of happiness and unhappiness, of just people and unjust. Besides all this, there is a very modern court and a government of the future, which may almost be said to make up together a third city. See other titles by this author available from Kessinger Publishing.
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Autorenporträt
Francis Marion Crawford (1854 - 1909) was an American writer noted for his many novels, especially those set in Italy and for his classic weird and fantastic stories. H. Russell Wakefield, in an essay on ghost stories, called Crawford's "The Upper Berth" "the very best one" of such stories. Norman Douglas credits Crawford's financial success as instrumental in encouraging himself to write (though he remained critical of Crawford's habit of inserting first-person editorial comments into his fiction).