To Savor the Meaning examines the overlap of literary theory and religious philosophy in Medieval Kashmir. It explores an influential chapter in South Asian intellectual history in which this overlap between aesthetics and religious ideas became particularly pronounced and looks at the debates over how to understand literature through the lens of the wider network of religious assumptions and commitments in which they are embedded.
To Savor the Meaning examines the overlap of literary theory and religious philosophy in Medieval Kashmir. It explores an influential chapter in South Asian intellectual history in which this overlap between aesthetics and religious ideas became particularly pronounced and looks at the debates over how to understand literature through the lens of the wider network of religious assumptions and commitments in which they are embedded.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James D. Reich is Assistant Professor in the Department of Philosophy and Religious Studies at Pace University. His work focuses on the intellectual history of literature, religion, and philosophy in South Asia. He studied religion at Harvard University (Ph.D., 2016), Harvard Divinity School (M.T.S., 2009), and Vassar College (B.A., 2005).
Inhaltsangabe
Acknowledgments Introduction Part One: Emotion Manifested Chapter One: Anandavardhana and the Metaphysics of Literature Chapter Two: Abhinavagupta's Theology Chapter Three: Abhinavagupta's Literary Theory Part Two: Emotion Inferred Chapter Four: Mahimabhatta on Literary Knowing Chapter Five: The Will of Objects Chapter Six: Mahimabhatta on Literary Being: The Pragmatic Use of Illusion Conclusion Bibliography
Acknowledgments Introduction Part One: Emotion Manifested Chapter One: Anandavardhana and the Metaphysics of Literature Chapter Two: Abhinavagupta's Theology Chapter Three: Abhinavagupta's Literary Theory Part Two: Emotion Inferred Chapter Four: Mahimabhatta on Literary Knowing Chapter Five: The Will of Objects Chapter Six: Mahimabhatta on Literary Being: The Pragmatic Use of Illusion Conclusion Bibliography
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