Today's Sounds for Yesterday's Films
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In recent years, there has been something of an explosion in the performance of live music to silent films. There is a wide range of films with live and new scores that run from the historically accurate orchestral scores to contemporary sounds by groups such as Pet Shop Boys or by experimental composers and gothic heavy metal bands. It is no exaggeration to claim that music constitutes a bridge between the old silent film and the modern audience; music is also a channel for non-scholarly audiences to gain an appreciation of silent films. Music has become a means both for musicians and…mehr

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Produktbeschreibung
In recent years, there has been something of an explosion in the performance of live music to silent films. There is a wide range of films with live and new scores that run from the historically accurate orchestral scores to contemporary sounds by groups such as Pet Shop Boys or by experimental composers and gothic heavy metal bands. It is no exaggeration to claim that music constitutes a bridge between the old silent film and the modern audience; music is also a channel for non-scholarly audiences to gain an appreciation of silent films. Music has become a means both for musicians and audiences to understand this bygone film art anew. This book is the first of its kind in that it aims to bring together writings and interviews to delineate the culture of providing music for silent films. It not only has the character of a scholarly work but is also something of a manual in that it discusses how to make music for silent films.
Autorenporträt
K.J.Donnelly is Reader in Film Studies at the University of Southampton, UK. He is author of Occult Aesthetics: Synchronization in Sound Film (2014), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001), and editor of Film Music: Critical Approaches (2001), co-editor of Music in Video Games: Studying Play (2013) and Music in Science Fiction Television (2012).   Ann-Kristin Wallengren is Professor in Film Studies, Lund University, Sweden. Her research embraces questions about film and national and cultural identity, representation, ideology and transnationality, as well as on different aspects of film music. She has recently published Welcome Home Mr Swanson: Swedish Emigrants and Swedishness in Film and, together with K.J.Donnelly, a special issue of Music and the Moving Image about the psychology of film music.