Drawing on fieldwork in the minimal techno and house music sub-scenes in Chicago, Paris, and Berlin, Luis Manuel Garcia-Mispireta shows that people get along and share the dancefloor by an intimacy and belonging rooted in affect.
Drawing on fieldwork in the minimal techno and house music sub-scenes in Chicago, Paris, and Berlin, Luis Manuel Garcia-Mispireta shows that people get along and share the dancefloor by an intimacy and belonging rooted in affect.
Luis Manuel Garcia-Mispireta is Associate Professor in Ethnomusicology and Popular Music Studies at the University of Birmingham.
Inhaltsangabe
Preface ix Introduction 1 1. Touch and Intimacy on the Dancefloor 37 2. Sonic Tactility 65 3. Liquidarity 91 4. Thickening Something 124 5. The Sweetness of Coming Undone 151 6. Bouncers, Door Policies, and Embedded Diversity 183 Epilogue 216 Notes 235 Bibliography 267 Index 291
Preface ix Introduction 1 1. Touch and Intimacy on the Dancefloor 37 2. Sonic Tactility 65 3. Liquidarity 91 4. Thickening Something 124 5. The Sweetness of Coming Undone 151 6. Bouncers, Door Policies, and Embedded Diversity 183 Epilogue 216 Notes 235 Bibliography 267 Index 291
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