This project explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential.
This project explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
H. Austin Whitver is a Senior Instructor at the University of Alabama, Tuscaloosa. He received his Ph.D with a focus on Early Modern Drama from the University of Alabama through The Hudson Strode Program in Renaissance Studies. He has published articles in Studies in English Literature: 1500-1900 and Journal for Early Modern Cultural Studies and is a regular contributor to the Shakespeare Association of America conference.
Inhaltsangabe
Introduction: Monumental theater Chapter One: "My heart... shall be thy sepulchre": Shakespeare's early monumental experimentation Chapter Two: "A royal fellowship of death": Tombs in Shakespeare's second tetraology Chapter Three: "His bruisèd helmet and his bended sword": Henry V's material mnemonics Chapter Four: "Let my gravestone be your oracle": Fashioning tombs to speak to the future Chapter Five: "No trophy, sword, nor hatchment o'er his bones": Changing the status of the dead Chapter Six: "Does not the stone rebuke me?" Tombs that preach and teach Conclusion: "Two dishes, but to one table"
Introduction: Monumental theater
Chapter One: "My heart... shall be thy sepulchre": Shakespeare's early monumental experimentation
Chapter Two: "A royal fellowship of death": Tombs in Shakespeare's second tetraology
Chapter Three: "His bruisèd helmet and his bended sword": Henry V's material mnemonics
Chapter Four: "Let my gravestone be your oracle": Fashioning tombs to speak to the future
Chapter Five: "No trophy, sword, nor hatchment o'er his bones": Changing the status of the dead
Chapter Six: "Does not the stone rebuke me?" Tombs that preach and teach
Introduction: Monumental theater Chapter One: "My heart... shall be thy sepulchre": Shakespeare's early monumental experimentation Chapter Two: "A royal fellowship of death": Tombs in Shakespeare's second tetraology Chapter Three: "His bruisèd helmet and his bended sword": Henry V's material mnemonics Chapter Four: "Let my gravestone be your oracle": Fashioning tombs to speak to the future Chapter Five: "No trophy, sword, nor hatchment o'er his bones": Changing the status of the dead Chapter Six: "Does not the stone rebuke me?" Tombs that preach and teach Conclusion: "Two dishes, but to one table"
Introduction: Monumental theater
Chapter One: "My heart... shall be thy sepulchre": Shakespeare's early monumental experimentation
Chapter Two: "A royal fellowship of death": Tombs in Shakespeare's second tetraology
Chapter Three: "His bruisèd helmet and his bended sword": Henry V's material mnemonics
Chapter Four: "Let my gravestone be your oracle": Fashioning tombs to speak to the future
Chapter Five: "No trophy, sword, nor hatchment o'er his bones": Changing the status of the dead
Chapter Six: "Does not the stone rebuke me?" Tombs that preach and teach
Conclusion: "Two dishes, but to one table"
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