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The necropolis of Shah-e Zende represents a summit in the art of ceramic wall coverings in the Islamic world. Perched on a steep cliff overlooking the ancient city of Samarkand, today the ghost town of Afrasiyab, the necropolis remains largely unknown to art historians and the general public. As Shah-e Zende offers a microcosm of the technical evolution of ceramic arts in Central Asia between the 12th and 15th centuries, this work ec

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The necropolis of Shah-e Zende represents a summit in the art of ceramic wall coverings in the Islamic world. Perched on a steep cliff overlooking the ancient city of Samarkand, today the ghost town of Afrasiyab, the necropolis remains largely unknown to art historians and the general public. As Shah-e Zende offers a microcosm of the technical evolution of ceramic arts in Central Asia between the 12th and 15th centuries, this work ec
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