Stefan Kostka, Dorothy Payne, Byron Almén

Tonal Harmony

• Gebundenes Buch

Produktbeschreibung

For a generation of professionals in the musical community, Tonal Harmony has provided a comprehensive, yet accessible and highly practical, set of tools for understanding music. With this new edition, twenty-first century technology meets a time-honored tradition. Now available in McGraw-Hill's Connect® with SmartBook®, students are better equipped to understand and master the vocabulary of music efficiently,allowing them to move on more quickly to advanced musical skill-building.

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Produktdetails

• Verlag: McGraw Hill LLC
• 8th edition
• Seitenzahl: 704
• Erscheinungstermin: 13. Februar 2017
• Englisch
• Abmessung: 257mm x 208mm x 28mm
• Gewicht: 1270g
• ISBN-13: 9781259447099
• ISBN-10: 125944709X
• Artikelnr.: 52420542

Inhaltsangabe

Part I: FundamentalsChapter 1: Elements of PitchChapter 2: Elements of
RhythmChapter 3: Introduction to Triads and Seventh ChordsChapter 4:
Diatonic Chords in Major and Minor KeysPart II: Diatonic TriadsChapter 5:
Principles of Voice LeadingChapter 6: Root Position Part WritingChapter 7:
Harmonic ProgressionChapter 8: Triads in First InversionChapter 9: Triads
in Second InversionChapter 10: Cadences, Phrases, Periods, and
SentencesChapter 11: Two-Part Tonal CounterpointChapter 12: Non-Chord Tones
1Chapter 13: Nonchord Tones 2Part III: Diatonic Seventh ChordsChapter 14:
The V7 ChordChapter 15: Other Diatonic Seventh ChordsPart IV:
ChromaticismChapter 16: Secondary Functions 1Chapter 17: Secondary
Functions 2Chapter 18: Modulations Using Diatonic Common ChordsChapter 19:
Some Other Modulatory TechniquesChapter 20: Binary and Ternary FormsPart V:
Chromaticism 2Chapter 21: Mode Mixture and the NeapolitanChapter 22:
Augmented Sixth ChordsChapter 23: Enharmonic Spellings and Enharmonic
ModulationsChapter 24: Further Elements of the Harmonic VocabularyChapter
25: Tonal Harmony in the Late Nineteenth CenturyPart VI: An Introduction to
Twentieth-Century MusicChapter 26: Materials and TechniquesChapter 27:
Post-Tonal Theory