Tonne Goodman: Point of View - Goodman, Tonne
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Throughout her illustrious career, Tonne Goodman has made the famous stylish and the stylish famous. The Vogue fashion director has not only shaped the way women dress and see themselves, but she has also created a nexus in which the worlds of celebrity and style continually collide. Now, in Point of View , Goodman's life and career are explored for the first time. Organized chronologically, this book charts Goodman's career from her modeling days, to her freelance fashion reportage, to her editorial and advertising work, through to her reign at Vogue . The editor's recollections of some of…mehr

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Produktbeschreibung
Throughout her illustrious career, Tonne Goodman has made the famous stylish and the stylish famous. The Vogue fashion director has not only shaped the way women dress and see themselves, but she has also created a nexus in which the worlds of celebrity and style continually collide. Now, in Point of View , Goodman's life and career are explored for the first time. Organized chronologically, this book charts Goodman's career from her modeling days, to her freelance fashion reportage, to her editorial and advertising work, through to her reign at Vogue . The editor's recollections of some of the world's greatest photographers, models, celebrities, and designers of our time are illustrated throughout, with behind-the-scenes fashion photos and shots of Goodman's personal life.
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Autorenporträt
Tonne Goodman has been the fashion director of Vogue since 2000. Her storied career includes stints at The Costume Institute at the Metropolitan Museum of Art, the New York Times Magazine, Life, Calvin Klein, and at Harper¿s Bazaar as Diana Vreeland¿s assistant.  
Rezensionen
'It's high time that Tonne Goodman, long a front-row style crush of her fellow fashion editors, has her moment of appreciation. Goodman was American Vogue's fashion director from 1999 until 2018 and now serves as a contributing editor at the magazine for which she has masterminded more than 150 covers, creating images to define moments. . . ' The Telegraph