Top Hat - Evans, Peter William
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There are certain films and shows that resonate with audiences everywhere--they generate discussion and debate about everything from gender, class, citizenship and race, to consumerism and social identity. This new 'teachable canon' of film and television introduces students to alternative classics that range from silent film to CSI. * The most brilliant of all the 1930s Astaire/Rogers musicals, Top Hat 's wonderful dance routines, catchy Irving Berlin songs, witty dialogue, and lavish Art Deco sets have ensured its continuing popularity seventy-five years after its first screening in 1935. *…mehr

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Produktbeschreibung
There are certain films and shows that resonate with audiences everywhere--they generate discussion and debate about everything from gender, class, citizenship and race, to consumerism and social identity. This new 'teachable canon' of film and television introduces students to alternative classics that range from silent film to CSI. * The most brilliant of all the 1930s Astaire/Rogers musicals, Top Hat 's wonderful dance routines, catchy Irving Berlin songs, witty dialogue, and lavish Art Deco sets have ensured its continuing popularity seventy-five years after its first screening in 1935. * Peter William Evans's immensely readable volume uses this paradigmatic film to explore the musical genre, notions of romance and subjectivity, and the contested relations between the sexes, all set against the social-political backdrop of 1930s America * Written in a clear, accessible style, Top Hat appeals to the student and teacher of the musical and of Hollywood film history, as well as the film-loving general reader
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Autorenporträt
Peter William Evans is a Professor of Film Studies at Queen Mary University of London. His publications range from classical Hollywood (books on the musical, romantic comedy, and the Biblical epic, and articles on film noir, the western, and Hitchcock), to British cinema (a book on Carol Reed) and Spanish cinema (books on Bunuel, Almodovar, and Bigas Luna).
Rezensionen
"Its considerable claims to Art and its resonant magic are the dualfocus of this insightful and highly readable study by Peter WilliamEvans . . . Evans approaches this most celebratory of musicalcomedies in celebratory mode but also with a deserved seriousnessdevoid of solemnity. " (Times Literary Supplement , 24 June 2011)

"Alert and attentive, always respecting the magic of this mostmagical of movies, Peter Evans nevertheless manages to show howexactly how it works, how its stars discreetly clash as theycombine, and how a well-tried formula can turn into unforgettableart. Good too that the admirable Eric Blore is celebrated, acomic dream of a supporting actor." Michael Wood, PrincetonUniversity

"Peter Evans has provided an exemplary account of TopHat. Packed with information and information and insight, hisbook is as elegantly structured and presented as the film itself.An excellent addition to an excellent series." Steve Neale,University of Exeter

"An acknowledge authority on the musical, Peter Evans haswritten an illuminating, often brilliantly so, study of Top Hat. Hepresents hitherto unknown facts relating to the film?s productionhistory, puts Astaire and Rogers? star personas and the supportingcast under the spotlight, and provides superb analysis ofnarrative, song, and dance. Like Astaire and Rogers, the movie andthe critic are perfectly matched." Peter Stanfield, Universityof Kent