Torontology - Cain, Stephen
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In a world where the poet is a filter, a cultural recombinator, this collection of poems sifts through the blur of data and stimulus to find the gold in the dross. The author explores the poetics of constraint and the practice of unconstrained writing. That pop song buzzing through your head? The TV show that's become a guilty pleasure? That flock of pre-teens behind you on the subway? They're all as "real" and poetic as classical tropes, archetypes, and forms. In Cain's terms, context is always as important as content, and the quotidian is more expansive than ever imagined.

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Produktbeschreibung
In a world where the poet is a filter, a cultural recombinator, this collection of poems sifts through the blur of data and stimulus to find the gold in the dross. The author explores the poetics of constraint and the practice of unconstrained writing. That pop song buzzing through your head? The TV show that's become a guilty pleasure? That flock of pre-teens behind you on the subway? They're all as "real" and poetic as classical tropes, archetypes, and forms. In Cain's terms, context is always as important as content, and the quotidian is more expansive than ever imagined.
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Autorenporträt
Stephen Cain is the author of dyslexicon (Coach House, 1999) as well as numerous chapbooks and broadsides. His sound poetry can be heard on Carnivocal (Red Deer, 1999) and his visual poetry has appeared in such magazines as Rampike, Torque, and Essex. He operates the micropress Kitsch in Ink and is a literary editor at the Queen Street Quarterly. Born in 1970, Stephen Cain lives and teaches in Toronto, where he is completing a PhD in English Literature at York University.