Toward a Cognitive Theory of Narrative Acts
Herausgeber: Aldama, Frederick Luis
Toward a Cognitive Theory of Narrative Acts
Herausgeber: Aldama, Frederick Luis
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Brings together cutting-edge research to explore and understand more deeply various cultural phenomena
Andere Kunden interessierten sich auch für
- Anna Marie SandovalToward a Latina Feminism of the Americas25,99 €
- Cognitive Literary Studies34,99 €
- Beyond Cognitive Metaphor Theory77,99 €
- William Vaughn MoodyThe Faith Healer A Play in Three Acts13,99 €
- Deming BrownSoviet Attitudes Toward American Writing43,99 €
- Clyde FitchThe Climbers; A Play in Four Acts14,99 €
- Acts of Narrative37,99 €
-
-
-
Brings together cutting-edge research to explore and understand more deeply various cultural phenomena
Produktdetails
- Produktdetails
- Verlag: University of Texas Press
- Seitenzahl: 338
- Erscheinungstermin: 1. Juni 2010
- Englisch
- Abmessung: 229mm x 152mm x 20mm
- Gewicht: 550g
- ISBN-13: 9780292728882
- ISBN-10: 0292728883
- Artikelnr.: 33724873
- Verlag: University of Texas Press
- Seitenzahl: 338
- Erscheinungstermin: 1. Juni 2010
- Englisch
- Abmessung: 229mm x 152mm x 20mm
- Gewicht: 550g
- ISBN-13: 9780292728882
- ISBN-10: 0292728883
- Artikelnr.: 33724873
Edited by Frederick Luis Aldama
1. Introduction: The Sciences and Humanities Matter as One (Frederick Luis
Aldama)
2. Part I: General and Theoretical Considerations
* Chapter One. Arts in the Brain; or, What Might Neuroscience Tell Us?
(Herbert Lindenberger)
* Chapter Two. Narrative as Nourishment (Ellen Spolsky)
* Chapter Three. Narrative Empathy (Suzanne Keen)
* Chapter Four. The Biolinguistic Turn: Toward a New Semiotics of Film
(Javier Gutiérrez-Rexach)
* Chapter Five. Voice and Perception: An Evolutionary Approach to the
Basic Function of Narrative (Katja Mellmann)
* Chapter Six. Dreaming and Narrative Theory (Richard Walsh)
3. Part II: A Selection of New Approaches
* Chapter Seven. Cross-Cultural Mind-Reading; or, Coming to Terms with
the Ethnic Mother in Maxine Hong Kingston's The Woman Warrior
(Klarina Priborkin)
* Chapter Eight. Theory of Mind and Michael Fried's Absorption and
Theatricality: Notes toward Cognitive Historicism (Lisa Zunshine)
* Chapter Nine. Garden Paths and Ineffable Effects: Abandoning
Representation in Literature and Film (H. Porter Abbott)
* Chapter Ten. Consciousness, Ethics, and Narrative: Reading Literature
in an Age of Torture (Patrick Colm Hogan)
* Chapter Eleven. Prophesying with Accents Terrible: Emotion and
Appraisal in Macbeth (Lalita Pandit Hogan)
4. Glossary
5. Bibliography
6. Contributors
7. Index
Aldama)
2. Part I: General and Theoretical Considerations
* Chapter One. Arts in the Brain; or, What Might Neuroscience Tell Us?
(Herbert Lindenberger)
* Chapter Two. Narrative as Nourishment (Ellen Spolsky)
* Chapter Three. Narrative Empathy (Suzanne Keen)
* Chapter Four. The Biolinguistic Turn: Toward a New Semiotics of Film
(Javier Gutiérrez-Rexach)
* Chapter Five. Voice and Perception: An Evolutionary Approach to the
Basic Function of Narrative (Katja Mellmann)
* Chapter Six. Dreaming and Narrative Theory (Richard Walsh)
3. Part II: A Selection of New Approaches
* Chapter Seven. Cross-Cultural Mind-Reading; or, Coming to Terms with
the Ethnic Mother in Maxine Hong Kingston's The Woman Warrior
(Klarina Priborkin)
* Chapter Eight. Theory of Mind and Michael Fried's Absorption and
Theatricality: Notes toward Cognitive Historicism (Lisa Zunshine)
* Chapter Nine. Garden Paths and Ineffable Effects: Abandoning
Representation in Literature and Film (H. Porter Abbott)
* Chapter Ten. Consciousness, Ethics, and Narrative: Reading Literature
in an Age of Torture (Patrick Colm Hogan)
* Chapter Eleven. Prophesying with Accents Terrible: Emotion and
Appraisal in Macbeth (Lalita Pandit Hogan)
4. Glossary
5. Bibliography
6. Contributors
7. Index
1. Introduction: The Sciences and Humanities Matter as One (Frederick Luis
Aldama)
2. Part I: General and Theoretical Considerations
* Chapter One. Arts in the Brain; or, What Might Neuroscience Tell Us?
(Herbert Lindenberger)
* Chapter Two. Narrative as Nourishment (Ellen Spolsky)
* Chapter Three. Narrative Empathy (Suzanne Keen)
* Chapter Four. The Biolinguistic Turn: Toward a New Semiotics of Film
(Javier Gutiérrez-Rexach)
* Chapter Five. Voice and Perception: An Evolutionary Approach to the
Basic Function of Narrative (Katja Mellmann)
* Chapter Six. Dreaming and Narrative Theory (Richard Walsh)
3. Part II: A Selection of New Approaches
* Chapter Seven. Cross-Cultural Mind-Reading; or, Coming to Terms with
the Ethnic Mother in Maxine Hong Kingston's The Woman Warrior
(Klarina Priborkin)
* Chapter Eight. Theory of Mind and Michael Fried's Absorption and
Theatricality: Notes toward Cognitive Historicism (Lisa Zunshine)
* Chapter Nine. Garden Paths and Ineffable Effects: Abandoning
Representation in Literature and Film (H. Porter Abbott)
* Chapter Ten. Consciousness, Ethics, and Narrative: Reading Literature
in an Age of Torture (Patrick Colm Hogan)
* Chapter Eleven. Prophesying with Accents Terrible: Emotion and
Appraisal in Macbeth (Lalita Pandit Hogan)
4. Glossary
5. Bibliography
6. Contributors
7. Index
Aldama)
2. Part I: General and Theoretical Considerations
* Chapter One. Arts in the Brain; or, What Might Neuroscience Tell Us?
(Herbert Lindenberger)
* Chapter Two. Narrative as Nourishment (Ellen Spolsky)
* Chapter Three. Narrative Empathy (Suzanne Keen)
* Chapter Four. The Biolinguistic Turn: Toward a New Semiotics of Film
(Javier Gutiérrez-Rexach)
* Chapter Five. Voice and Perception: An Evolutionary Approach to the
Basic Function of Narrative (Katja Mellmann)
* Chapter Six. Dreaming and Narrative Theory (Richard Walsh)
3. Part II: A Selection of New Approaches
* Chapter Seven. Cross-Cultural Mind-Reading; or, Coming to Terms with
the Ethnic Mother in Maxine Hong Kingston's The Woman Warrior
(Klarina Priborkin)
* Chapter Eight. Theory of Mind and Michael Fried's Absorption and
Theatricality: Notes toward Cognitive Historicism (Lisa Zunshine)
* Chapter Nine. Garden Paths and Ineffable Effects: Abandoning
Representation in Literature and Film (H. Porter Abbott)
* Chapter Ten. Consciousness, Ethics, and Narrative: Reading Literature
in an Age of Torture (Patrick Colm Hogan)
* Chapter Eleven. Prophesying with Accents Terrible: Emotion and
Appraisal in Macbeth (Lalita Pandit Hogan)
4. Glossary
5. Bibliography
6. Contributors
7. Index