Toward a Just Pedagogy of Performance
Historiography, Narrative, and Equity in Dramatic Practice
Herausgeber: O'Malley, Charles
Toward a Just Pedagogy of Performance
Historiography, Narrative, and Equity in Dramatic Practice
Herausgeber: O'Malley, Charles
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book is a compendium of resources largely by and for artists and scholars interested in engaging in conversations of justice, diversity, and historiography in the fields of theatre and performance studies.
Andere Kunden interessierten sich auch für
- Pamela PratherThe Voice Coach's Toolkit175,99 €
- J. LutterbieToward a General Theory of Acting37,99 €
- J. LutterbieToward a General Theory of Acting37,99 €
- Stanislavsky and Pedagogy193,99 €
- Robin NelsonPractice as Research in the Arts (and Beyond)22,99 €
- N. ShaughnessyApplying Performance30,99 €
- N. ShaughnessyApplying Performance37,99 €
-
-
-
This book is a compendium of resources largely by and for artists and scholars interested in engaging in conversations of justice, diversity, and historiography in the fields of theatre and performance studies.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 240
- Erscheinungstermin: 11. Dezember 2023
- Englisch
- Abmessung: 240mm x 161mm x 18mm
- Gewicht: 531g
- ISBN-13: 9781032137551
- ISBN-10: 103213755X
- Artikelnr.: 69030153
- Verlag: Routledge
- Seitenzahl: 240
- Erscheinungstermin: 11. Dezember 2023
- Englisch
- Abmessung: 240mm x 161mm x 18mm
- Gewicht: 531g
- ISBN-13: 9781032137551
- ISBN-10: 103213755X
- Artikelnr.: 69030153
Charles O'Malley is a writer and dramaturg.
Preface by Charles O'Malley
Interlude: What / How
by Willow James
Part One: Our Art
The Alternative Canon: A Collaborative Discussion Panel One: A Look at the
Past
A Conversation with Sharai Bohannon, David Clauson, Monty Cole, Lavina
Jadhwani, Coya Paz, Denise Yvette Serna, and Dan Smith
On the Move: A Methodology for Teaching Theater Histories of Latinxs in the
Americas
by Nahuel Telleria
Roundtable on Teaching and Studying Asian Theatre in the American Academy
A Conversation with Arnab Banerji, Jyana S. Browne, Po-Hsien Chu, Tarryn
Chun, Jennifer Goodlander, Claire Pamment, Shayoni Mitra, Yining Shang, and
Satoko Shimazaki. Facilitated by Amanda Culp
Interlude: An Intimate Night with Theatrical Black Excellence.
by Cleopatra Mavhunga
Part Two: Our Field
The Alternative Canon: A Collaborative Discussion Panel Two: Practices for
the Present
A Conversation with David Clauson, Monty Cole, Kee-Yoon Nahm, Coya Paz,
Denise Yvette Serna, and Dan Smith
When We Meet: Intercultural Theatre Before and After the Coronavirus
Pandemic
by Nikhil Mehta
Choosing the "Best" Translation for Plays Outside the Western Canon on the
Syllabus
by Kee-Yoon Nahm
The Geography of Our Discernment: What it Means to Show Up as Our Full
Selves
by Nithya Nagarajan and Zainab Syed
From Dissertation Page to Stage: Applying Graduate Studies to the Regional
Theater Production Process
by Taylor Barfield
Responsible Gatekeeping: Or, Questions I'm Asking Myself
by Kari Olmon
Interlude: The Lesser of Two Evils(?): How Not To Create Spaces for Brown
Trans Artistry
by Catherine Alam-Nist
Part Three: Our Teaching
The Alternative Canon: A Collaborative Discussion Panel Three: Toward
Utopia
by A Conversation with Sharai Bohannon, David Clauson, Kee-Yoon Nahm, and
Dan Smith
How Liberal Arts Theatre Programs Are Failing Their Students of Color
by Miranda Haymon
Interlude: Double Communication: Artist as Critic and Critic as Artist
by Lil Wenker
Close Reading: How Do Texts Perform?
by Ariel Sibert and Charles O'Malley
On the Ethics of Reading: A Suggestion and a Plea
by Charles O'Malley
Better Worlds through Pedagogy: A Vision for the Theater Classroom
by Jake Allen, Kyara Mahlan, and Kelli Shermeyer with contributions by
Allison Bialas and Elyssa Armenta
Adaptation as Historiography: An Approach for Undergraduate Teaching
by Elise Morrison
Interlude: What / How
by Willow James
Part One: Our Art
The Alternative Canon: A Collaborative Discussion Panel One: A Look at the
Past
A Conversation with Sharai Bohannon, David Clauson, Monty Cole, Lavina
Jadhwani, Coya Paz, Denise Yvette Serna, and Dan Smith
On the Move: A Methodology for Teaching Theater Histories of Latinxs in the
Americas
by Nahuel Telleria
Roundtable on Teaching and Studying Asian Theatre in the American Academy
A Conversation with Arnab Banerji, Jyana S. Browne, Po-Hsien Chu, Tarryn
Chun, Jennifer Goodlander, Claire Pamment, Shayoni Mitra, Yining Shang, and
Satoko Shimazaki. Facilitated by Amanda Culp
Interlude: An Intimate Night with Theatrical Black Excellence.
by Cleopatra Mavhunga
Part Two: Our Field
The Alternative Canon: A Collaborative Discussion Panel Two: Practices for
the Present
A Conversation with David Clauson, Monty Cole, Kee-Yoon Nahm, Coya Paz,
Denise Yvette Serna, and Dan Smith
When We Meet: Intercultural Theatre Before and After the Coronavirus
Pandemic
by Nikhil Mehta
Choosing the "Best" Translation for Plays Outside the Western Canon on the
Syllabus
by Kee-Yoon Nahm
The Geography of Our Discernment: What it Means to Show Up as Our Full
Selves
by Nithya Nagarajan and Zainab Syed
From Dissertation Page to Stage: Applying Graduate Studies to the Regional
Theater Production Process
by Taylor Barfield
Responsible Gatekeeping: Or, Questions I'm Asking Myself
by Kari Olmon
Interlude: The Lesser of Two Evils(?): How Not To Create Spaces for Brown
Trans Artistry
by Catherine Alam-Nist
Part Three: Our Teaching
The Alternative Canon: A Collaborative Discussion Panel Three: Toward
Utopia
by A Conversation with Sharai Bohannon, David Clauson, Kee-Yoon Nahm, and
Dan Smith
How Liberal Arts Theatre Programs Are Failing Their Students of Color
by Miranda Haymon
Interlude: Double Communication: Artist as Critic and Critic as Artist
by Lil Wenker
Close Reading: How Do Texts Perform?
by Ariel Sibert and Charles O'Malley
On the Ethics of Reading: A Suggestion and a Plea
by Charles O'Malley
Better Worlds through Pedagogy: A Vision for the Theater Classroom
by Jake Allen, Kyara Mahlan, and Kelli Shermeyer with contributions by
Allison Bialas and Elyssa Armenta
Adaptation as Historiography: An Approach for Undergraduate Teaching
by Elise Morrison
Preface by Charles O'Malley
Interlude: What / How
by Willow James
Part One: Our Art
The Alternative Canon: A Collaborative Discussion Panel One: A Look at the
Past
A Conversation with Sharai Bohannon, David Clauson, Monty Cole, Lavina
Jadhwani, Coya Paz, Denise Yvette Serna, and Dan Smith
On the Move: A Methodology for Teaching Theater Histories of Latinxs in the
Americas
by Nahuel Telleria
Roundtable on Teaching and Studying Asian Theatre in the American Academy
A Conversation with Arnab Banerji, Jyana S. Browne, Po-Hsien Chu, Tarryn
Chun, Jennifer Goodlander, Claire Pamment, Shayoni Mitra, Yining Shang, and
Satoko Shimazaki. Facilitated by Amanda Culp
Interlude: An Intimate Night with Theatrical Black Excellence.
by Cleopatra Mavhunga
Part Two: Our Field
The Alternative Canon: A Collaborative Discussion Panel Two: Practices for
the Present
A Conversation with David Clauson, Monty Cole, Kee-Yoon Nahm, Coya Paz,
Denise Yvette Serna, and Dan Smith
When We Meet: Intercultural Theatre Before and After the Coronavirus
Pandemic
by Nikhil Mehta
Choosing the "Best" Translation for Plays Outside the Western Canon on the
Syllabus
by Kee-Yoon Nahm
The Geography of Our Discernment: What it Means to Show Up as Our Full
Selves
by Nithya Nagarajan and Zainab Syed
From Dissertation Page to Stage: Applying Graduate Studies to the Regional
Theater Production Process
by Taylor Barfield
Responsible Gatekeeping: Or, Questions I'm Asking Myself
by Kari Olmon
Interlude: The Lesser of Two Evils(?): How Not To Create Spaces for Brown
Trans Artistry
by Catherine Alam-Nist
Part Three: Our Teaching
The Alternative Canon: A Collaborative Discussion Panel Three: Toward
Utopia
by A Conversation with Sharai Bohannon, David Clauson, Kee-Yoon Nahm, and
Dan Smith
How Liberal Arts Theatre Programs Are Failing Their Students of Color
by Miranda Haymon
Interlude: Double Communication: Artist as Critic and Critic as Artist
by Lil Wenker
Close Reading: How Do Texts Perform?
by Ariel Sibert and Charles O'Malley
On the Ethics of Reading: A Suggestion and a Plea
by Charles O'Malley
Better Worlds through Pedagogy: A Vision for the Theater Classroom
by Jake Allen, Kyara Mahlan, and Kelli Shermeyer with contributions by
Allison Bialas and Elyssa Armenta
Adaptation as Historiography: An Approach for Undergraduate Teaching
by Elise Morrison
Interlude: What / How
by Willow James
Part One: Our Art
The Alternative Canon: A Collaborative Discussion Panel One: A Look at the
Past
A Conversation with Sharai Bohannon, David Clauson, Monty Cole, Lavina
Jadhwani, Coya Paz, Denise Yvette Serna, and Dan Smith
On the Move: A Methodology for Teaching Theater Histories of Latinxs in the
Americas
by Nahuel Telleria
Roundtable on Teaching and Studying Asian Theatre in the American Academy
A Conversation with Arnab Banerji, Jyana S. Browne, Po-Hsien Chu, Tarryn
Chun, Jennifer Goodlander, Claire Pamment, Shayoni Mitra, Yining Shang, and
Satoko Shimazaki. Facilitated by Amanda Culp
Interlude: An Intimate Night with Theatrical Black Excellence.
by Cleopatra Mavhunga
Part Two: Our Field
The Alternative Canon: A Collaborative Discussion Panel Two: Practices for
the Present
A Conversation with David Clauson, Monty Cole, Kee-Yoon Nahm, Coya Paz,
Denise Yvette Serna, and Dan Smith
When We Meet: Intercultural Theatre Before and After the Coronavirus
Pandemic
by Nikhil Mehta
Choosing the "Best" Translation for Plays Outside the Western Canon on the
Syllabus
by Kee-Yoon Nahm
The Geography of Our Discernment: What it Means to Show Up as Our Full
Selves
by Nithya Nagarajan and Zainab Syed
From Dissertation Page to Stage: Applying Graduate Studies to the Regional
Theater Production Process
by Taylor Barfield
Responsible Gatekeeping: Or, Questions I'm Asking Myself
by Kari Olmon
Interlude: The Lesser of Two Evils(?): How Not To Create Spaces for Brown
Trans Artistry
by Catherine Alam-Nist
Part Three: Our Teaching
The Alternative Canon: A Collaborative Discussion Panel Three: Toward
Utopia
by A Conversation with Sharai Bohannon, David Clauson, Kee-Yoon Nahm, and
Dan Smith
How Liberal Arts Theatre Programs Are Failing Their Students of Color
by Miranda Haymon
Interlude: Double Communication: Artist as Critic and Critic as Artist
by Lil Wenker
Close Reading: How Do Texts Perform?
by Ariel Sibert and Charles O'Malley
On the Ethics of Reading: A Suggestion and a Plea
by Charles O'Malley
Better Worlds through Pedagogy: A Vision for the Theater Classroom
by Jake Allen, Kyara Mahlan, and Kelli Shermeyer with contributions by
Allison Bialas and Elyssa Armenta
Adaptation as Historiography: An Approach for Undergraduate Teaching
by Elise Morrison